A Quote by Pras Michel
When we came up with titles like Ready or Not, that's how we really felt.
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When I was 13 they were saying your album won't come out until your sweet 16. I felt really frustrated because that felt like forever from then and I felt like I was ready then. Looking back I wasn't ready.
You'll get, like, 10 pages of sides the night before, and you have to go in and just wing it. For someone like me, I came from the theater, and I don't like putting anything up in front of anybody until it's really, really ready, so it can be very frustrating.
I came up with the term 'mindfreak' because I didn't like the word 'magician.' I felt like I wanted to coin a term that would be basically the reaction to my art. It would be a mindfreak and so that's why I came up with that. But, many people say I'm really a student of humanity and psychology.
So that is how I ended up with those two titles, I like Accidentally on Purpose better - it is how we work in our trade - is it really an accident, or is there a thread of destiny in there? That was the intention, I am not sure I found out.
Well, it has to do with very deep things, because it might be that imagining yourself as a girl is a diminishment. But it is something that when I made "The Devil Wears Prada" it was the first time in my life, 30 years of making movies, that a man came up and said I know how you felt. I know how you felt. I have a job like that. People understand.
My dreams came true while wearing the opening look from the spring/summer 2010 Dior ready-to-wear collection. I will never forget how special I felt opening John Galliano's show, like I was living a dream.
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
I like to give clues - titles - that can give a simple, evocative hook into what picture or feeling welled up in my mind when I came up with the song.
I feel like artists and their lyrics are something that people can relate to when it comes to love and break-ups. I really want people to know how I felt when I went through a break up, when I really felt alive, and everything in between.
In the name of God!" said Gurth, "how came they prisoners? and to whom?" "Our master was too ready to fight," said the Jester, "and Athelstane was not ready enough, and no other person was ready at all.
I dreamed of recording a guitar album since I started playing, but I just never felt ready. I never felt like I was the player that I wanted to be. But I had this epiphany: you're never going to feel ready.
As a kid, I just felt like I didn't really have anyone to look up to that I felt like I could really relate to, someone that was out and gay and also competing in sports and finding success.
I did worry about being in a science-fiction show. The bits that I was reading, I felt were funny, and I felt the man was childish, so I really did ask initially, "Is this for kids?" And the thing that came back immediately was like, "Hey, take a look at this whole thing again. This is definitely not for children. How can you think that?"
The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
I was just a very emotional player. I wore my emotions on my sleeve. I pretty much told you how I felt. I didn't mince words, so to speak. If I felt bad, I let you know that I felt bad. If I felt you were playing sorry, I told you. If I was playing sorry, I told myself that. I came from an era when losing really hurt. I didn't see anything good about it.
I think I felt ready and I really wanted to go to Real Madrid. Some are ready and others aren't. I thought about it carefully and I made the right decision.
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