A Quote by Pras Michel
A couple of people thought I looked familiar, but it was like, No.
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Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that.
Once, four friends and I cut all our hair off, like boys. A couple of them cried afterwards, but I thought we looked really good.
In the history of physics, every time we've looked beyond the scales and energies we were familiar with, we've found things that we wouldn't have thought were there. You look inside the atom, and eventually you discover quarks. Who would have thought that?
With Michael Jackson, what I thought was really interesting was the people saying: 'He looked really well in that final video.' I was, like: 'No, he didn't - he looked like someone had melted goat's cheese over a sex doll.'
I have actually lost a couple of roles - film roles - because a director or producer thought I looked too much like George Costanza, and I could not get out of that box.
I looked at him like he was an idiot, but he didn’t notice. Or maybe he got it so often, he thought that was how people looked at him.
I knew what kind of actor I was going to be, and I looked for inspiration to people like Alec Guinness, Cyril Cusack, Timothy Spall and Jim Broadbent. I looked at them and thought, 'They play human beings as they really are.'
Usually when someone says a thing is too simple, they're saying that certain familiar things aren't there, and they're seeing a couple maybe that are left, which they count as a couple, that's all.
The sky lay over the city like a map showing the strata of things and the big full moon toppled over in a furrow like the abandoned wheel of a gun carriage on a sunset field of battle and the shadows walked like cats and I looked into the white and ghostly interior of things and thought of you and I looked on their structural outsides and thought of you and was lonesome.
'Ghoul' was what my world looked like, growing up in the late Seventies and early Eighties, and what I thought it looked like. A lot of my personal experiences went into it.
I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.
It's been awhile. My Oscar is getting kind of tarnished. I looked at it a couple of years ago and thought I really needed a new one.
Even though my face has gotten more familiar with doing 'China Beach' and 'The Wonder Years,' I'm the kind of actor that people thought, 'Gee, that guy looks familiar. He must have put my storm windows in. He works at my bank or something.'
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.
I've said jokes where I thought people might get up and hit me for this. A couple of people have thought about it. But they didn't. It gives you a lot of power, because if you're on shows where people are worried about getting sacked and you're not, then you're transcendent because you say what other people would like to say.
I remembered reading about a disease called Leishmaniasis, which matched my symptoms. I'd always thought it was an old wives' tale - a sand fly bite that eats your flesh. But when I looked on the internet and saw pictures of people who had it, their lesions looked like mine.
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