A Quote by Prateik Babbar
I want to work on projects that I can connect with and those that establish a connectivity with the audience too.
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That connectivity with the audience that I get to enjoy, that's my church. It's not one of ego or anything like, 'I'm on the stage and the lights.' It's just this connectivity, and it's always been that way for me.
These new prospective projects include the Appalachian Connector and the Diamond East projects, both are major new projects that connect the burgeoning supplies from the Marcellus and Utica directly to growing demand on Transco that is anxious to see the supplies coming their way as those markets strive to grow as well.
It's all about connectivity - not just technical connectivity but geographic connectivity. That's what makes a city go.
That's the holy grail as a TV writer, to work on a story that you care about and to put it out there and for it to find the audience and connect with fans and connect with critics.
There are those special projects that don't ever feel like work but just a blessing to be a part of, and 'Revolution' is one of those projects.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
Apart from hard work and being in the right projects, you need to re-invent yourself. I'd be bored doing the same thing over and over, and the audience wouldn't like it, too. The trick is to break that monotony.
I want to do more TV and more books. I want to have my hand in different projects. I'm way too hyper; I'm just one of those people who has to have a lot going on.
I've been lucky. The projects I've gotten to work on are projects I'd want to watch myself. That's what I try to shoot for.
You don't want to get too far ahead of the audience and you don't want the audience to be ahead of you. So, that balance is difficult and it takes a lot of work and tuning in the edit, to get the right balance.
The creatives, they want to connect with people. These artists, the clothing designers, they want to connect with people the same way that music gets to connect with people. But the cost of silk is too expensive. And they won't lower their quality levels. So I can spend $2 million on a record and give it out in a democratic way. They could spend all their time making the greatest dress in the world, and it's just impossible to hand-make that many.
I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.
Lakhs of families in the country are deprived of energy connectivity. Fruits of development will not reach the common man until energy connectivity reaches every last household of the country. In the age of globalization, we have no option but to make a quantum leap in energy production and connectivity.
I've done only things I've liked, and I'm happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.
I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really passionate about.
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