A Quote by Prateik Babbar

Getting to work with good filmmakers and getting to play good characters in films is so special. — © Prateik Babbar
Getting to work with good filmmakers and getting to play good characters in films is so special.
I just want to work with good filmmakers and do good projects that mean something to me and play interesting characters. That's really it.
The important thing is not just getting good players in, but getting good characters and the right types of player in.
I wouldnt call acting a job - its a pleasure. I love getting to play different characters, getting to play dress up, and getting paid for it.
I'm lucky to be getting a lot of good work in Tollywood. And I won't say I'm choosy, but of course, you have to select the best, and I'm trying to grab as many good films as I can. There was a time when I had to let go of some films which I regret now.
When you get an opportunity to work in good films like 'Raazi,' it boosts your confidence to know that good filmmakers are willing to work with you.
I won't play any blame games for my films that didn't work. But I've been working towards getting good roles. Even Abhishek Bachchan became a superstar after delivering 17 flops.
It's important for people of colour to have the opportunities to play characters that are as nuanced - as three-dimensional, as human - as the characters who we traditionally see getting to play the protagonist. The good guys and the bad guys. The reason that is important is because it's a better reflection of the reality of the world we live in.
It's a good thing that it is getting simpler to register a company in China, it is good that the exchange rate of our currency is getting more flexible and that it's getting easier for Chinese businesspeople to travel. All of this opens up our economy.
After 'Ishq Brandy,' I was either not getting good scripts or not good characters.
I have two concerns with my work: having good things to act, and getting paid. In that order. Although if you're not getting paid well, that order can change. But that's what I'm concerned about. Good scenes. Decent money.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
I'm not a purist - I like films that are narrated and films that aren't, films that are beautiful and films that are clumsy but heartfelt. Mostly, I just like a good story and good characters.
Back home, if you get scored on, you're the weak link. When I started getting good, they were like, 'If you're going to play on our team when we go play pick-up, and you start getting scored on, we're not going to let you play anymore.' I started learning how to help other people out with my defense.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
When I am getting to do good work on TV, why not concentrate on that? Why think about what films I can do?
I am getting good roles in the Telugu film industry. And people are also liking my work. I dub the films myself and this makes a huge difference.
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