A Quote by Pratik Gandhi
I owe my entire to theatre. Simply because, I got so many chances to practice. Playing the same character for days, I could understand and practice on how to build that emotional arc.
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How do you best move toward mastery? To put it simply, you practice diligently, but you practice primarily for the sake of the practice itself.
There's so much spontaneity involved, what do you practice? How do you practice teamwork? How do you practice sharing? How do you practice daring? How do you practice being nonjudgmental?
The way anything is developed is through practice practice practice practice practice practice practice practice practice and more practice.
To think that practice and realization are not one is a heretical view. In the Buddha Dharma, practice and realization are identical. Because one's present practice is practice in realization, one's initial negotiating of the Way in itself is the whole of original realization. Thus, even while directed to practice, one is told not to anticipate a realization apart from practice, because practice points directly to original realization.
If you understand real practice, then archery or other activities can be zen. If you don't understand how to practice archery in its true sense, then even though you practice very hard, what you acquire is just technique. It won't help you through and through. Perhaps you can hit the mark without trying, but without a bow and arrow you cannot do anything. If you understand the point of practice, then even without a bow and arrow the archery will help you. How you get that kind of power or ability is only through right practice.
Have a good work ethic. You've got to practice, practice, practice. I'm not telling you what to practice - that's up to you.
I feel when I say I can do something and carry this opportunity to make movies, it's because I took the time to study it. A boxer can't just jump in the ring. You've got to practice and practice and practice.
Baseball players practice, runners practice, so how can you practice being funny? You get up onstage. You train as an improviser, playing make-believe, using the vernacular of improvisation, saying 'yes and' to other people's ideas, making statements.
When I was a kid, I remember I used to hide under the bed sometimes because I didn't want to go to practice. Even when I didn't want to go to practice, it could be pouring rain outside, and I'd be like, 'Yes, no practice today,' and my mom would be there, and we were still going, and we'd have practice under the pavilion.
Practice is a shared history of learning. Practice is conversational. 'Communities of Practice' are groups of people who share a concern (domain) or a passion for something they do and learn how to do it better (practice) as they interact regularly (community).
As far as how I expressed 'practice, practice, practice' over and over again, I wouldn't take that back because, obviously, that sound bite is great for the media and for the fans, because they love it.
If I don’t practice for a day, I know it. If I don’t practice for two days, the critics know it. And if I don’t practice for three days, the public knows it.
Love is not automatic. It takes conscious practice and awareness, just like playing the piano or golf. However, you have ample opportunities to practice. Everyone you meet can be your practice session.
At some point each day (well, most days) I unroll my mat and practice for an hour. I sit in meditation for a while. This can be five minutes or twenty minutes, but the daily practice - simply showing up for it - is centering.
If I can't practice, I can't practice. It is as simple as that. I ain't about that at all. It's easy to sum it up if you're just talking about practice. We're sitting here, and I'm supposed to be the franchise player, and we're talking about practice. I mean listen, we're sitting here talking about practice, not a game, not a game, not a game, but we're talking about practice. Not the game that I go out there and die for and play every game like it's my last, but we're talking about practice man. How silly is that?
The music kind of takes care of itself because we've done all that as preproduction in the practice room. So by the time it gets onstage, each song has about one hundred hours of way too much mothering gone into it. So when you see us play live, that is the product of ninety days of practice, over a year of writing, listening to demos on the weekends after practice.
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