A Quote by Pratik Gandhi

Right and wrong are both very subjective, it's all grey. — © Pratik Gandhi
Right and wrong are both very subjective, it's all grey.
In comedy, it's so subjective; there is no right or wrong.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
A few people would suffer, but a lot of people would be better off.' 'It's just not right,' said Kevin stubbornly. 'Maybe not. But neither's your way of looking at it. There doesn't have to be a right side and a wrong side. both sides can be right, or both sides can be wrong.
When you're dealing with subjective matters, there's no wrong or right answer, it's just, "What do we think is best for the show?"
The whole world is incapable of judging either right or wrong. but it is certain that actionless action can judge both right and wrong.
There are two distinctly, almost surreally different narratives in Israel and Palestine... and to a great extent, both are right and both are wrong. Both peoples have suffered greatly and both have legitimate grievances against the other.
I really see food as subjective. It's a creative outlet. It's something that you do for fun. It's a gray area. It's not black and white or right and wrong.
Even the sky was grey. Grey and grey and greyer. The whole world grey, everywhere you look, everything grey except the eyes of the bride. The eyes of the bride were brown. Big and brown and full of fear.
So many people operate in a world of right and wrong [that] they become polarized. You're conservative or you're liberal; and if you're one or the other, you can't be both. I just think that this idea of right and wrong is kind of a damaging idea.
Yokohama does not improve on further acquaintance. It has a dead-alive look. It has irregularity without picturesqueness, and the grey sky, grey sea, grey houses, and grey roofs, look harmoniously dull.
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.
Two religions cannot both be right, because they contradict each other, yet they can both be wrong.
Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child. A bright line around moral responsibility is very important.
I come from a highly moral family. I was very much taught what was right and wrong, and in my perception of things, I did something that was very wrong. To know that, and to then be so publicly exposed, was very hard.
I was interested in the human journey, the conundrum of when the right and wrong of both sides get murky. You have to make some very strong choices that you'll have to live with.
One's memories aren't what actually happened - they're very subjective. You can always make it much better, right?
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