A Quote by Pratik Gandhi
I had heard a lot of key words about Harshad Mehta in books, documentaries, on the Internet, and in the script like his passion, greed, a bit of ego, and confidence.
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In 'Guru,' the business aspect is more of a layer and sub-text... to me, Harshad Mehta's story is a tragedy, a classic Greek tragedy, where the greed of a lot of people got attached to him.
In 1992, I was in school. I did hear about Harshad Mehta and one of my cousins lost some money in the stock market, but I knew little about it.
We've all heard about Wall Street greed. I think people are now starting to be a little bit more sensitized to Washington greed - the greed for power and control over our lives and our economy.
It was tough to not be judgmental of a person like Harshad Mehta. But that's where the training of an actor comes into play. My job is to create that character and present him to the audience. If even one per cent of judgment creeps in, then the whole performance will be affected.
I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
The Internet had been a BIG help with my career. My advice to musicians, Internet is the key. It gets your music heard all across the world.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
My dad had a dream of his kids reaching the NFL. My older brother was actually the first to make it. His career didn't really last too long, but he always had more passion for documentaries.
The documentaries are one thing - I was highlighting someone else's work, someone else's genius. Once I had to find my own voice, I'm glad I was a little bit older and had some confidence and had all these great inspirations to draw from.
'Sparkle' fell into my lap. I had heard a little bit about it, that it was being redone in early 2011. I was just kind of like, 'Oh, that would be really cool,' and not really thinking too much about it, and then it came through my agency. I read it, I fell in love with the script and I went in to audition.
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
I don't think we should see the world of books as fundamentally separate from the world of the Internet. Yes, the Internet contains a lot of videos of squirrels riding skateboards, but it can also be a place that facilitates big conversations about books.
Confidence is one of those things that no one ever wants to talk about in this industry because confidence and ego run neck and neck. But you have to understand, those are things that you have to have in order to make it to where Edge has made it. You've got to have a certain amount of ego and confidence in yourself to get there.
Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from
We are identified with the ego, and with the ego there are many things: anger and hatred and jealousy and possessiveness and greed - the whole train. The ego functions like an engine and there are many many compartments following it. Once the ego dies the whole train stops.
The man who sailed around his soul From East to West, from pole to pole With ego as his drunken captain Greed, the mutineer, had trapped all reason in the hold
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