Gujaratis, all the South Indians, Bengalis or sometimes even Punjabis - when it comes to mainstream storytelling, most of the time they are all typecast.
We are now all Pakistanis — not Baluchis, Pathans, Sindhis, Bengalis, Punjabis and so on — and as Pakistanis, we must feet behave and act, and we should be proud to be known as Pakistanis and nothing else.
Sometimes in the mainstream movies, a character who is from the South is portrayed by a person who looks like a South Indian but speaks in fake accent.
Yes, Gujaratis are humorous but that's not all there is to them. Gujaratis are independent, determined and very hardworking.
Since childhood, most of my friends have been Punjabis and I have lived in that environment for a long time.
Difference between Partition experience of Punjabis and Sindhis is that Punjabis found their state in India while Sindhis lost theirs.
Most South Indians are very loyal to their local language cinema. This is not the case with Marathis.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
I love Punjabis. My best friends are Punjabis. They are such big-hearted people, such happy-go-lucky people that work doesn't feel like work with them.
If we dispense with some of our self-made boundaries, India can really take its place in the world as an economic power. It hasn't happened because we, sadly, don't look at ourselves as Indians but as Punjabis or Parsis, unlike the Americans. Don't make such boundaries.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
I always believe that if we Hindus are like milk, Punjabis, Sikhs are the butter, the best part of that milk. Brought up with that kind of respect for Punjabis, I always desired to play a true Sikh character on screen someday.
The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.
I think most Native American literature is unreadable by the vast majority of Native Americans. Generally speaking Indians don't read books. It's not a book culture. That's why I'm trying to make movies. Indians go to movies; Indians own video recorders.
When it comes to American Indians, mainstream America suffers from willful blindness.
If you grow up in the South Bronx today or in south-central Los Angeles or Pittsburgh or Philadelphia, you quickly come to understand that you have been set apart and that there's no will in this society to bring you back into the mainstream.
Even after witnessing an inflow of a large number of people from other states, Gujaratis haven't changed and are still warm and loving.