A Quote by Pratik Gandhi

The dilemma of refusing a role is faced by every actor at certain points in his/her life. — © Pratik Gandhi
The dilemma of refusing a role is faced by every actor at certain points in his/her life.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
According to me, when a filmmaker is writing a role, a certain actor comes to his mind. Now whether that actor resides in Mumbai or in the Malabar is hardly of any consequence.
Unfortunately for ethical egoism, the claim that we will all be better off if every one of us does what is in his or her own interest is incorrect. This is shown by what are known as "prisoner's dilemma" situations, which are playing an increasingly important role in discussions of ethical theory... At least on the collective level, therefore, egoism is self-defeating - a conclusion well brought out by Parfit in his aforementioned Reasons and Persons.
I find that’s one of the great things about acting-you have the opportunity to stand in somebody else’s shoes. Each character faces a dilemma in her life, and as an actor you’re able to step into that character’s skin, look through her eyes. You leave transformed, a different person, because once you live a little bit of someone’s life, it changes you.
My Aunt Linh had to reimagine her life after she was diagnosed with RMS, especially when she was faced with certain challenges related to her fashion and beauty routines.
Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.
Every actor is great in his own right but certain actors suit certain roles.
If we remind ourselves of the fact that every fifth American today rightly points and perhaps also with a certain degree of pride to his German ancestry or her German ancestry, we can safely say that we, indeed, share common roots.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
The muscularly developed actor is not seen as a serious actor although he should be seen as a serious actor because he has been preparing for these muscular roles his entire life. If you can dedicate years of your life to hitting the gym and dieting and eating right you can definitely take a movie role seriously.
He wanted to wake up every morning to her. Go to sleep with his body wrapped tightly around hers. He wanted her to have his child—his children. He knew he wanted to live out the rest of his life with her by his side and when he died, he wanted to die in her arms.
You can never predict a hit or a flop, but it's about what you are happy doing as an actor. Every actor comes with his or her own mindset.
Kev wasn't certain if he was surrendering to Win or to his own passion for her. Only that there was no more holding back. He would take her. And he would give her everything he had, every part of his soul, even the broken pieces.
An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
Love of truth will bless the lover all his days; yet when he brings her home, his fair-faced bride, she comes empty-handed to his door, herself her only dower.
I think every actor can agree that when you've been playing a certain character for awhile - no matter what that role is - it's always attractive to try something that's different.
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