The ways of the British are inscrutable but they always seem to obtain their own ends without compromising their dignity or their honor.
I am done with the cliched heroine roles. I can't go to work without a challenge. I want to do films that drive me, films in which I am a part of the main plot.
Work is fundamental to the dignity of the person. Work, to use an image, 'anoints' with dignity, fills us with dignity, makes us similar to God who has worked and still works, who always acts.
I really want as many people as possible to relate to something, without compromising or dumbing down.
I don't want to flee, nor do I want to abandon the battle of these farmers who live without any protection in the forest. They have the sacrosanct right to aspire to a better life on land where they can live and work with dignity while respecting the environment.
I want to help communities put welfare recipients to work right now, without delay, repairing schools, making their neighborhoods clean and safe, making them shine again. There's lots of work to be done out there. Our cities can find ways to put people to work and bring dignity and strength back to these families.
I had to continuously do films to shrug off the mini-screen image and it was a struggle. Initially, I was taken off from many films due to this and I dealt with it by signing every other film I got, even compromising on the quality.
Producing is making films without having to work sometimes. It's still making films, but it's a different job. When you're the director, you kinda do all the work. I'm actually going tonight to check the prints of my movie even though the premiere's tomorrow night.
I think it's wrong to compromise your values to fit in with the social climate in Washington, D.C. When it comes to spending, I'm not compromising. I don't care who, what, when or where, I'm not compromising.
Art should be able to be innovative without compromising itself. That's why I believe artists should have bigger preoccupations than checking the price tags on their work or becoming curators' darlings.
I don't think that independent or off-beat films are not commercial, nor do I want to categorise them. At the end of the day, what matters is how much you compromise to please the masses. But, I am not someone who loves compromising. If there's a lot to give up on things that matter to me, I start losing interest.
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
We want character but without unyielding conviction; we want strong morality but without the emotional burden of guilt or shame; we want virtue but without particular moral justifications that invariably offend; we want good without having to name evil; we want decency without the authority to insist upon it; we want more community without any limitations to personal freedom. In short, we want what we cannot possibly have on the terms that we want it.
I really enjoy acting, and whether it's TV or films, I feel lucky to be doing it at all. In the end, I'd love to do films, but I'm not going to work just to do work. I only want to do something that I feel right about.
There's big studio films I didn't want to do. I didn't want to go through the hoops and ladders. I wouldn't have been able to work with the directors I've worked with if I did those studio films.
There is no dignity without work. You can't tell someone who has nothing to eat to stay patient.