A Quote by Preston Sturges

After I saw a couple of pictures put out by my fellow comedy-directors, which seemed to have abandoned the fun in favor of the message, I wrote Sullivan's Travels to satisfy an urge to tell them that they were getting a little too deep-dish, to leave the preaching to the preachers.
I went out with some old friends and we were having fun. A couple of them were very intoxicated. When I went to leave, I refused to let them drive. So when I got pulled over, I was the driver.
I was in a band and it wasn't working out the way I wanted. Then somehow, little by little, I started doing a couple comedy things. All of a sudden I was being asked to do more and more comedy things. There was this message from the world saying, "Maybe you should go this direction."
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
He saw mankind going through life in a childlike manner... which he loved but also despised.... He saw them toiling, saw them suffering, and becoming gray for the sake of things which seemed to him to be entirely unworthy of this price, for money, for little pleasures, for being slightly honoured.
Too often preachers want to deal with people simply at the level of publicly accessible reason. We participate with them in their own epistemology. But this is not New Testament preaching. We have a message that is not from this world; it is from God. We don't know it by our own cleverness; we know it because God has revealed it.
When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
I always put on a couple of kilos every time I film a programme. You cant really tuck into a dish and then just leave it.
I think we came out the last couple of game and have been able to get it going. The first couple we were tentative a little bit, that energy, maybe excite. I saw in the last couple of games we've been able to channel that and use it in a positive way to go, be aggressive, physical and skate. When we're skating and physical we're at our best and put a lot of pressure on the other team that way.
Now we may have more preachers out there than we have drinkers. But a fellow told me a story one time about a man down in Kentuckywhere they make bourbon. And he said you can take a jigger or two jiggers and get by all right. But if you try to take the whole bottle why you have lost what you started with. So don't try to take it too quick. And don't try to do all of it at once. I don't do much promising. I tell what my goals are and then I try to wrap it up and put a blue ribbon on it and get it delivered. We say put the coonskin on the wall.
At the emergence of the modern novel with Rabelais and Cervantes, all kinds of things were possible in a long-form prose work. Within a couple of hundred years, most of those possibilities were abandoned in favor of a text that efficiently transmitted sentiments.
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
Coming out of graduation, I didn't immediately know what direction I wanted to do so I decided to just stay as an intern until it really kind of dawned on me and I felt more compelled one way or the other. So I gave it a few years and then after two years it was really clear that deep down I missed being a full time creative artist. Ironically, I started getting clients who were all in the entertainment industry and a lot of them were in comedy!
Some players tell me that since retiring they've had the urge to go somewhere every three days. To satisfy that urge, they may even jump in the car and drive around the block.
It's lame when I'm hanging out with my friends and they're so busy taking pictures to put on Facebook, instead of enjoying what they're doing. You're gonna look back and have 10 million pictures, but you're not in one of them because you were too busy clicking away. I think it's best to stop telling people about it and enjoy the moment you're in yourself.
I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
His students were hardly in a position to tell him when he was getting windy, and he had recently noticed, as most professors did after a while, that his lectures mysteriously seemed to be getting longer with time.
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