A Quote by Preston Sturges

When the last dime is gone, I'll sit on the curb outside with a pencil and a ten cent notebook and start the whole thing over again. — © Preston Sturges
When the last dime is gone, I'll sit on the curb outside with a pencil and a ten cent notebook and start the whole thing over again.
Ever since high school I've been writing in a spiral notebook, in pencil. Everything looks too polished on a computer when you start writing, and I can't really see it. I feel like the words are much more naked in pencil, on a notebook.
When I was 9 or 10, I had a ten-cent business: I would walk your dog for a dime, go to the store for a dime, empty your garbage for a dime - and then I could use the money to buy tricks at the magic store.
Healthcare is growing now at about 10 per cent per annum in the U.S. top line, versus 3 per cent for the economy. As someone with a sharp pencil and an eye for this kind of thing, this can't last.
Ever since high school I've been writing in a spiral notebook, in pencil. Everything looks too polished on a computer when you start writing, and I can't really see it. I feel like the words are much more naked in pencil, on a notebook. I feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard. I tend to add more in the margins. I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.
I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
It comes up over and over and over again that a ten times increase in the weight-oriented density of batteries or the volume metric, the space-oriented density of batteries, would enable so many other moonshots that that's one that just constantly comes up over and over again, and we will start that moonshot if we can find a great idea.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
The thing I hear about a lot is when people over-sharpen their pencil with a single-blade pocket-sharpener and then when they put the pencil to the page, their tip breaks and pencil points always break irregularly. It always gets all jagged and you have to refresh the point. That's a common complaint.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
Both liquid and pencil eyeliner can be used on the top and bottom eyes. I then use eye shadow over the pencil to blend evenly to ensure there's no skipping and patchiness. With pencil as a base, it's easier to get a seamlessly blended effect. If a stronger line is desired, trace over the pencil line with liquid eyeliner.
I don't have a favorite cooking tool. In the kitchen, I always have my pencil and notebook in my hand. I cook more theoretically than I do practically. My job is creative, and in the kitchen, the biggest part of my creativity is theoretical. The pencil has a symbolic meaning for me. The type of person who carries a pencil around is the type of person who's open to change. Someone who walks around with a pen isn't; he's the opposite.
It never failed—I'd buy a new journal, write like a madwoman for ten pages, then lose total interest in the process. Three months later, I'd start the whole process all over again. I think I just liked buying new notebooks.
When I sit down with my notebook, when I start scribbling words across the page, I find out what I’m feeling.
When I sit down with my notebook, when I start scribbling words across the page, I find out what I'm feeling.
I have meditated in the last two or three years. To discover what it means to sit and let sounds and movement wash over you has been brilliant. In some ways, that helped me understand where my grandma had gone. She had gone to a different world that we aren't quite connected to.
The last thing we want is a monolithic viewpoint where six people are standing before a president saying the same thing over and over again.
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