A Quote by Prince

You can't understand the words of Cocteau Twins songs, but their harmonies put you in a dreamlike state. — © Prince
You can't understand the words of Cocteau Twins songs, but their harmonies put you in a dreamlike state.
It was so cool to be listening to, I don't know, some Cocteau Twins song while I was running through the Slovakian wilderness.
I manifested in a dreamlike way to dreamlike beings and gave a dreamlike Dharma, but in reality I never taught and never actually came.
I was obsessed with harmonies and how to put songs together in lush soundscapes. But I don't know what it was all about, really.
I want to get better and take more risks. I need to sing with other people. I need to access parts of me that aren't being accessed in the Cocteau Twins.
When you write songs, you can't really point out the exact thing you're inspired by. It's more a state or a mood or an atmosphere that you're trying to put into words.
I'm really into a blush on the eyelid and on the high of the cheek. The singer of 'Cocteau Twins' used to do that - really pink eyelids. It added a little romance to the hard kind of street-edge clothes.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
I used to throw on soundtracks, and orchestral stuff would be the only thing I could write to, maybe 'Dead Can Dance' or 'Cocteau Twins' or something. Mostly, it was movies scores that would kind of inspire me.
Twins are under-represented in the media. Hamlet - never twins. Hamlet Twins Of Denmark. King And Queen Lear. It would work. Come on, more twins on television.
A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
I always said I got my music from my dad, but my mom had these cassettes - Bjoerk and the Cocteau Twins and the Talking Heads. That was her music, and she would just get so wild and free when she listened to it.
I would say 'Bye Bye Love' is one of my favorite influential songs to this day, and ironically, they were so in sync with their harmonies that they sounded like one person. That approach to hearing and formulating harmonies stuck in my head, so when I joined the Eagles, my ear was trained to be able to hear a vocal that way.
I've been writing a lot of songs in twos, songs that are like twins in my mind.
I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
The cinema is - in Jean Cocteau’s famous words - ‘a dream that can be dreamt by many people at the same time’.
It is not a dreamlike state, but the somehow insulated state, that a great musician achieves in a great performance. He's aware of where he is and what he's doing, but his mind is on the playing of the instrument with an internal sense of rightness.
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