A Quote by Prince

You ever get that feeling that you just have too many hits? — © Prince
You ever get that feeling that you just have too many hits?

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You can't ever work too much because there's no such thing as being in too good condition. You can't ever lift too many weights because you can't ever get too strong. You can't ever wrestle too much because you can always do better.
Exhilaration is that feeling you get just after a great idea hits you, and just before you realize what's wrong with it.
Nobody can take too many big hits, not even comparing someone 5-foot-8 'cause some of the 6-foot-3 guys still get knocked out, too.
When you - when someone dies in your family and you think you're over it, and then you wake up in the morning and it hits you, 'I won't ever see my brother again. I won't ever see my mom again.' And it just kind of hits you like that.
We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
Not too many songwriters, when they write songs go for broke. When someone does who's really good, it's astonishing. There's a reason a three-minute song can devastate you, or make you get up and dance, stop what you're doing and go, 'What is that?' It just hits you. And it's a very potent thing you're playing around with.
Know what the difference between hitting .250 and .300 is? It's 25 hits - 25 hits in 500 at-bats is 50 points. There's six months in a season, that's about 25 weeks. That means if you get just one extra flare a week - just one - you get a ground ball with eyes, you get a dying quail, just one more dying quail a week ... and you're in Yankee Stadium.
I have many hits, big hits, that have been written by people I don't know. In almost all my shows, people say, 'Chente, here's a CD.' When I get home, I listen to them all, and what I like, I record.
I never get too many problems. You can never please everyone anyway, obviously. And some people take the easy route and just play the greatest hits, and their audience is happy to hear that as well, and that's fine, but it wouldn't please me. But it doesn't trouble me.
Sometimes--sometimes it just hits me, you know? And, it's not getting any easier." I choke, my eyes flooding all over again. "I'm not sure that it will. I think you just get used to the feeling, the hollowness, the loss, and somehow learn to live around it
Did you ever get the feeling that the story's too damn real?
No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?
In the economy of the body, the limbic highway takes precedence over the neural pathways. We were designed and built to feel, and there is no thought, no state of mind, that is not also a feeling state. Nobody can feel too much, though many of us work very hard at feeling too little. Feeling is frightening.
The spirit of the drum is something that you feel but cannot put your hands on, It does something to you from the inside out . . . It hits people in so many different ways. But the feeling is one that is satisfying and joyful. It is a feeling that makes you say to yourself, ' I'm glad to be alive today! I'm glad to be part of this world!
Music is feeling. You can try to verbalize it. It really just hits you or it doesn't.
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