A Quote by Prince

All you see on television are debased images. — © Prince
All you see on television are debased images.

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We have made it our overriding ambition to escape work, and as a consequence have debased work until it is only fit to escape from. We have debased the products of work and have been, in turn, debased by them. (pg. 43, "The Unsettling of America")
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point.
The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.
We do not see the danger clearly enough that we develop images adequate to our state of civilization. When you watch TV, you know instantly that there's something wrong with the images. When you open a magazine and see the ads, you know there's something wrong with the images. And it's unhealthy and not good and outright dangerous, in my opinion.
The influence of woman is the same everywhere. Her condition influences the morals, manners, and character of the people of all countries. Where she is debased, society is debased; where she is morally pure and enlightened, society will be proportionately elevated.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
We go to the cinema we see images projected on the screen - but they're not real, they're only images.
When you see a silent movie, you understand everything that's going on from the images because the images are so strong.
Animals see a video of the world. If an animal were only to see still images, how would its vision develop? Neuroscientists have run experiments in cats in a dark environment with a strobe so it can only see still images - and those cats' visual systems actually underdevelop. So motion is important, but what is the algorithm?
You can be debased without relinquishing your identity, just as you can relinquish your identity without being debased.
The defining problem of contemporary television is trust: Can you believe what you see on television, does television treat people fairly, is it healthy for society?
We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.
American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.
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