A Quote by Prince
I don't live in the past. I don't play my old records for that reason. I make a statement, then move on to the next.
Related Quotes
The way through the challenge is to get still and ask yourself, 'What is the next right move? What is the next right move?' and then, from that space, make the next right move and the next right move.
Tennis is a great game, a great sport because you're out there by yourself, so you have to move on to the next point, next game, next set, whatever. It's the same thing in basketball. If you miss a shot, you move onto the next one. If you turn it over, you move onto the next play. That certainly helped me.
The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existance, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records, and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it.
I don't want to play old music. To me, it is fighting battles that are already over and calling yourself a warrior. For me, I see no courage or adventure in doing the old thing over again. If others want to, that's for them. For myself, I have to move on. Life is too short to live in the past. There is a lot to be done.
Live in the present. The past is gone; the future is unknown -- but the present is real, and your opportunities are now. You must see these opportunities; they must be real for you. The catch is that they can't seem real if your mind is buried in past failures, if you keep reliving old mistakes, old guilts, old tragedies. Fight your way above the many inevitable Traumatizations of your ego, escape damnation by the past, and look to the opportunities of the present. I don't mean some vague moment in the present -- next week or next month, perhaps. I mean today, this minute.
Life is like a game of chess...there are many moves possible, but each move determines your next move...where you wind up is the sum total of all your past moves...but first you have to make some kind of move.
The only reason for doing a play is to make a statement about it, and by that I don't mean a conceit of the producer.
I like how our records go from super poppy to heavy then electronic, and next I'd like to make a bunch of records where each of them has a distinct vibe to it.
I think we need to find a way to provide people with a reason that the average man on the street can grasp and embrace, that would cause him to move away from the centuries-old idea of the individual and individualism, and move toward a different concept of what it means to be human in a collective society. Unless he has that reason, unless he has a fundamental reason to do that, it's going to be very difficult to cause him to make that shift, in my view.
I have genuine empathy for the fact that if you're a professional footballer, you've often started at three years old, you've been found, you've been scouted, you play, you play, you play, you make millions, you live this incredible life. And then you reach 35, and suddenly you have to stop doing it, and you haven't been taught anything else.
I work on one page, revising and polishing until I can't make it better, then move on to the next. Some pages might get 20 or more drafts before I move on.
If you're going to make a statement, I think you should write it in prose and make a statement. If you have characters who are mouthpieces for a point of view, then you have to be very clever about disguising it.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
What we are left with then is the present, the only time where miracles happen. We place the past and the future as well into the hands of God. The biblical statement that “time shall be no more” means that we will one day live fully in the present, without obsessing about past or future.
I love making records, and part of really doing that and being happy about it is just that each time I've done something, I come to terms with what maybe is wrong with it, and then I move on to the next thing.
I used to play my records aloud until one night my mother was like, "This is too loud. I'm not having it," and so I put on headphones. But the headphones didn't stretch all the way to my bed from the record player, so I had to sleep on the floor in order to hear the records. I slept on the floor right next to the record player until I was probably 19 years old.
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