A Quote by Prince Royce

Bachata is expensive to produce because of all of the instruments. — © Prince Royce
Bachata is expensive to produce because of all of the instruments.
I've got a superstar like Usher singing bachata, a tune featuring Lil Wayne. I'm offering people more than just bachata. That captures a new audience that would listen to bachata because Usher is singing.
I do proclaim myself king of bachata because I have to represent my genre. I have to always come out and put on the Superman cape. I'm pretty much representing my culture. I'm not going to change that. But I definitely don't want there to be a misconception where people are like, 'The only thing he likes to do is bachata.'
If you think of any strange fusion with bachata, most likely, we've done it. It's bachata mixed with different elements. We don't follow any style.
Customers want to buy something which is not expensive because of a label but which is costly because of the time taken to produce it.
I didn't decide to play guitar, but that was the instrument which I was offered. I've always been interested in horn-type instruments, such as a saxophone; but those instruments are very expensive, so my dad bought me a guitar instead. I didn't like the guitar at first, but after noodling on it for several months, I developed a feel for it.
I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
Instruments sound interesting, not because of their sound, but because of the relationship a player has with them. Instrumentalists build a rapport with their instruments, which is what you like and respond to.
It's expensive to produce musicals on television.
I write songs, I play instruments, and I produce music that comes out for the world.
Fake news is cheap to produce. Genuine journalism is expensive.
Instruments are a phenomenal investment, especially violins and violas and celli, because the value really doesn't go down, and it just rises up at incredible speed and has done, and I believe will continue to do so, because these rare instruments are not getting more. They are getting less and less through the years.
This song 'All Aboard,' that tune allowed me to expand and kind of offer my audience something totally different because it's not bachata - I'm singing English, and that was really fun.
That the powers of labour, and of the other instruments which produce wealth, may be indefinitely increased by using their products as the means of further production.
One of the things you have to understand with The Room, I never approached a studio to produce, because I know no one in Hollywood will produce this. I came to Hollywood and I said "I will produce this movie the way I want it."
Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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