A Quote by Princess Nokia
I like a lot of older rock 'n' roll artists, like legends like Freddie Mercury and David Bowie. They really influenced me to be very, very androgynous and very commanding, and very very - I wouldn't say odd, but I would say eccentric.
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I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
There are a lot of country artists now that are heavily influenced by hip-hop. That's not me. I was very heavily influenced by rock & roll.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
A lot of my male vocal influences are British - people like David Bowie, Freddie Mercury and Robert Plant.
Steve Bannon was my right-hand man for, like, seven years. He's a hammer. And when you're a hammer, everything looks like a nail. He's very sure and very smart. Very driven, very patriotic. He's not most of the things that people say.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
The interactions I have are with people who are very kind and very grateful and they say very overwhelming things to me. Somebody who doesn't like what I do or doesn't understand it, then it wasn't for them.
Networks like Adult Swim allow artists to be artists and allow their vision to come through without a lot of tinkering. I worked on 'Moral Orel' and 'Mary Shelley's Frankenhole,' and they bothered us very little. They very, very seldom came to us and said 'Change this,' or 'You can't do that,' or 'We'd like to see this.'
One would like to be grand and heroic, if one could; but if not, why try at all? One wants to be very something, very great, very heroic; or if not that, then at least very stylish and very fashionable. It is this everlasting mediocrity that bores me.
A lot of people say, 'I always knew Lucky Luciano as a very smooth, very elegant, very powerful man.' All the accounts of him as an older man were that he was very genteel but he still had the look of smothered violence behind his eyes.
Some girls like to say one thing and mean another. And me being who I am, I'm very straightforward. Everything is very black and white for me. I don't really like playing mind games.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
A lot of people say I'm not very friendly, that I'm cold. But I'm just the opposite. I live a very simple life. I'm a normal person, very sensitive, very caring about those around me.
I can make music out of anything. Even that phone ringing, I could sample that. I grew up listening to Missy, Britney, Kelis, Lil Kim, Grace Jones, all the eccentric, out-there women. And men like Freddie Mercury, David Bowie. Those are my peopledem.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
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