A Quote by Princess Nokia
I'm kind of like a musical Bill Cunningham.
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I always have admired what Bill Cunningham does, his body of work. I think it's a really important, seminal body of work. I think Bill celebrates creativity and self-expression. So it's really a lot of different kind of threads, all through the lens of Bill Cunningham.
Bill Cunningham... he knows fashion better than anybody.
Bill Cunningham he knows fashion better than anybody.
It's true that my mom loved it when I played Joanie Cunningham in the musical 'Happy Days,' but I think she finally realized I am never going to do 'Oklahoma!'
With Edge and Christian, we were like 'Bill & Ted's Excellent Adventure,' the Bill & Ted of WWE. We were kind of goofy, kind of funny, humorous, but then when we had to be serious in the ring, we would get serious.
It's so funny: at 'SNL,' Bill Hader always kind of treated me like his little sister and would kind of, like, lovingly bully me.
I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster.
Having grown up in that area, and being like every other kid that grows up in that area, it's John Havlicek, it's Bobby Orr, it's Sam Bam Cunningham, it's names and players like that who you kind of live your dreams through. Having come from there, I'm very proud of the fact I'm from Boston and continue to be proud of that.
I don't think any other city actually has anyone who has actually documented the way they have lived or documented the city themselves. If you want to look at New York in the last half of the 20th century, into the 21st, you would look at Bill Cunningham's archives.
One day about 10 years ago the door to my office opened and who walked in but Bill Gates.... Seemed like a nice guy and has done more with his money than most billionaires. But that's as far as I want to go being kind to Bill Gates.
I first started making films - this is my first feature, but I was making shorts - I was actually freelancing as a day job at The New York Times as an art director. I actually worked with Bill Cunningham and really soon after I met him, I thought, "Oh my God, he's a perfect subject for a documentary."
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
It's kind of a lost art form, the musical, in a way, so when 'La La Land' came around, I couldn't believe my luck. I just felt like I needed someone to keep on pinching me 'cause not only was it a chance to make a musical but to work with Damien Chazelle, Emma Stone, and Ryan Gosling.
You don't know who the next group is that's unpopular. The Bill of Rights isn't for the prom queen. The bill of rights isn't for the high school quarterback. The Bill of Rights is for the least among us. The Bill of Rights is for minorities. The Bill of Rights is for those who have minority opinions.
The way I look at a musical, you are commenting on the human condition no matter what you do. A musical may be light and frivolous, but by its very nature, it makes some kind of social comment.
You can make an argument that Bill O'Reilly is a conservative or a Republican. Bill's kind of unpredictable. Somebody might say that he would have been comfortable in the Democratic Party of Scoop Jackson.
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