A Quote by Princess Nokia
I've got a lot of male energy.
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It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
I feel good. I've got a lot of energy. I've got a lot of purpose, too.
With the black male as a teenager, where you're coming from the ghettos and that kind of stuff, you've got to assert yourself, be macho, not let anybody walk over you, so that's where all this unnecessary bullshit comes from - from egos. That's why there are a lot of fights. That's how come the whole thing with rap has been violent. It's because of the male ego.
It's nice to be with a male energy as opposed to a female energy. It's very different.
Mother Earth is the spirit of the Earth. Amaterasu is the spirit of the Sun, that is, the feminine aspect of the spirit of the Sun. The Sun is a male, but everything is polarized, everything has a male and a female part. And she is the feminine part of light. Relative to the Earth it is more of a male energy, but she is the energy that comes and moves through Mother Earth, to bring consciousness and life.
I've got a lot of energy at my shows, I'm very performative; that gave me the idea, I want to try to translate that into a musical project, having the same energy I have onstage and on my album.
I don't want to be knocked out. But the contact and the focus and the energy I get from sparring gives me energy to make movies, energy to be a dad, energy to be a friend, and, you know, makes me feel, probably, a lot younger and behave a lot younger than I am.
Where those two energies [male and female energies] intersect, all creativity is possible. We already have divine creative energy within us. And what is the most powerful of these energies? The energy that patriarchy and misogyny constantly try to repress. The divine female sexual energy. The creative energy of the female. That is why I worship divine sexual female energy.
If you think about the energy that a rocket engine has to put out and all the fuel and you're sitting on top of like a bomb. And on the Space Shuttle, that big orange tank is filled with liquid hydrogen and liquid oxygen, the white cell rocket boosters on the sides are filled with solid propellant. There's a lot of energy in all those chemicals there and you've got to control it in a way so it doesn't explode. So, there's a lot of plumbing, a lot of valving, a lot of control systems, and it's a very complicated thing. So, how do you bring the price of that down?
I've got to be the geekiest guy in the world in a lot of ways. I'm like a zeta male.
I'm always on the road, and there's a very male-dominated energy where I am. There's that aggressive energy surrounding me, all the time. So, in personal peace and harmony, I've totally made a gazillion compromises.
I think women don't see themselves and their sexuality as wholesome. And yet men's sexuality is everywhere. We experience it as a culture in stadiums, thousands of raging fans of male sexuality, screaming, "Kick the ball over the goal post. Get the ball in the hoop. Score a home run." Male sexuality lives in that prowess of the scoring, of conquering, of getting, of that beautiful male energy of domination, aggression, and the competition.
I've got quite a lot of energy in me and a lot of pent-up aggression. I'm like a dog. I need walking.
Most male painters have historically admired the female form. It's got a lot going for it.
I spent a lot of time, a lot of energy trying to be a better artist and I still [do]. I spend a lot of time focusing on my craft. If you're going to take your passion into something beyond just something for fun on the side, you got to spend a lot of time on it to be great, and then you've got to make smart decisions about who you collaborate with [and] where you live [to] put yourself in the right situations to meet the right people to catch those breaks.
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