A Quote by Priscilla Presley
No one has really heard my side of the story, the adventure we had together, the transformation that I had going from a schoolgirl to a woman overnight.
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He pointed toward the silhouettes on the side of the [bathrooms] instead--black cutout man, black cutout woman. The man had his legs apart, the woman had hers together. Pretty much the story of the human race in sign language.
I have a four-and-a-half-, nearly five-octave range. I probably should have had extra lessons as a child, as I am certain my family heard my potential, but I didn't. I was in the choir as a schoolgirl, but really, it is all self-taught.
What I saw was more than I could stand. The noise I heard had been made by Little Ann. All her life she had slept by Old Dan's side. And although he was dead, she had left the doghouse, had come back to the porch, and snuggled up by his side.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new.
I had always had an affinity for series in literature, and I thought it would be really cool to incorporate what I loved about books into the story of music, to pile it together.
She was a ghost in a strange house that overnight had become immense and solitary and through which she wandered without purpose, asking herself in anguish which one of them was deader: the man who had died or the woman he had left behind.
I recently realized that I'm gender-fluid - I didn't even know that was a term until recently - but I have a strong effeminate side and identify with women in that way. Because women would make jokes and they were all really funny, but the straight male comics always said "faggot," or they had some really awful gay joke. And so it's like, I'm just going to watch the ladies because they don't - I'm sure there are, but I couldn't even tell you one woman comic that I've ever heard say the word "faggot."
I had a real yearning to make use of the opportunities I had at school. When I heard about the gap year of teaching English at a Tibetan monastery, I knew I had to do something about it really quickly, otherwise it was going to get allocated.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
I had all these songs lying around. They had all these woman characters, and I thought the idea of the Woman King would be a good way to tie them all together.
I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
All of women's stories in the 19th century had either one of two endings: you either had the good Jane Austen marriage at the end and you were happy; or you had the terrible Henry James savage downfall because of your own hubris as a woman, or you've made some great error leading you down a path to ruin. One is the story of love that's successful and the other is the story usually of reckless love that goes terribly wrong that destroys the woman.
Before I myself went to college I had never seen but one college woman. I had heard that such a woman was staying at the house of an acquaintance. I went to see her with fear. Even if she had appeared in hoofs and horns I was determined to go to college all the same. But it was a relief to find this Vassar graduate tall and handsome and dressed like other women.
...he went into the sitting room, put on a Duke Ellington record he had bought after seeing Gene Hackman sitting on the overnight bus in The Conversation to the sound of some fragile piano notes that were the loneliest Harry had ever heard.
Early in my career I was divided because I had the real self underneath: the lawbreaker, the anarchist, the person who swims against the tide, the outsider, the loner, all of that guy. He was my private self, and I had this other side that wanted to be liked in order to do all those things I dreamed of as a little boy. I didn't realize that those things didn't go together until later. And I'm quite sure that my use of acid and peyote helped me accept what was really going on inside of me instead of what I had imposed on myself.
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