A Quote by Prithvi Shaw
I began playing at the age of six, but at that point, I had little idea of cricket; forget the talent part. It's around the age of 10-11, when more people around me began talking of my skills, that I felt maybe I could go on to do something.
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I do believe that my whole success goes back to that time I was arrested as a wayward boy at the age of thirteen. Because then I had to quit running around and began to learn something. Most of all, I began to learn music.
I realize at one point, that I was being followed, and then I began to see the surveillance that was going past the road on my house. And so, these cars began to surveil me. People began to follow me around, and it did, it was very disrupting to think that your privacy was being violated, and for no reason that I could come up with.
Nothing could be more misleading than the idea that computer technology introduced the age of information. The printing press began that age, and we have not been free of it since.
I learned how to cook, began reading books on food. I began to understand about nutrition. It never had occurred to me that what you ate could affect how you felt. It could affect your health. It seems obvious now, but at age 23 or 22 or whatever I was, it wasn't obvious at all.
I got that first record out, it came out in '47... Then my name began to ring around. I began to take over. From that point, I tell you, Chicago was in my hand, all the more time that those guys had to listen to me.
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
I never had a story for the sequels, for the last trilogy. That's not really part of the plan at this point, and I'll be at the age where to do another trilogy would take 10 years. I'd always envisioned it as six movies. When you see it in six parts you'll understand that it really ends at part six.
My upbringing was pretty interesting. It was a rigorous, intellectual upbringing, but with the idea that we were a part of an important and legitimate enterprise. What that meant was sitting around the dinner table from a really early age with people from all different backgrounds who believed in God. When I was reporting in the wake of September 11th in Iraq and elsewhere, I felt I had the capacity to talk to people whose beliefs might sound outlandish to more secular journalists. I felt like I could be a translator between those two worlds.
And as I got older and played more, people began to forget about my age and took the music more seriously.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
You sensed that you should be following a different path, a more ambitious one, you felt that you were destined for other things but you had no idea how to achieve them and in your misery you began to hate everything around you.
At any rate, that’s how I started running. Thirty three—that’s how old I was then. Still young enough, though no longer a young man. The age that Jesus Christ died. The age that Scott Fitzgerald started to go downhill. That age may be a kind of crossroads in life. That was the age when I began my life as a runner, and it was my belated, but real, starting point as a novelist.
In the '70s, with movies like 'Little Big Man,' westerns began to have a little different flavor, and I think casting people and filmmakers began to realize, 'Hey, maybe we can get a little more authentic in terms of who we cast here.' That kind of opened up the gates.
At the age of three I began to look around my grandfather's library. My first knowledge of astronomy came from reading and looking at pictures at that time. By the time I was six I remember him buying books for me. ... I think I was eight, he bought me a three-inch telescope on a brass mounting. ... So, as far back as I can remember, I had an early interest in science in general, astronomy in particular.
Godzilla also represents the fear of nuclear annihilation, which was something that was big in my mind at the time. It was something that the people of this forthcoming generation haven't had to live with, but people around my age grew up with the idea that we could all be blown up at any minute. That's also what got me into hardcore music.
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