Underestimating grades has serious consequences for a student's choice of university, and their future.
That is what we should be doing: liberating everyone's potential, whether it's a self-made individual, whether it's someone taking the university route, whether it's the apprenticeship route. They are all equal and good and worthwhile.
Progress is a choice. Job creation is a choice. Whether we give our children a future of more or a future of less - this, too, is a choice.
Eventually, we want to be able to say, whether in your own neighborhood or a city across the globe, our technology will be needed to break through barriers - whether it's money, time, languages, or simply choice.
The question of whether a device will come into being depends upon three things: first, whether there is a practical use for it that warrants its development and manufacturing costs; second, whether the laws of physics applying to the elements available for its design allow the attainment of the needed ranges, sensitivities, or the like; and third, whether the pertinent art of manufacture has advanced sufficiently to allow a useful embodiment to be built successfully.
We didn't want it to end up in discussions where we would talk about whether this song needed to be more metal, whether I needed to scream more in that song or whether I shouldn't sing quite as much in those songs because metalheads wouldn't like that.
I think everyone goes through it in university, figuring out whether or not they're doing the right course. I guess I'm the same, but in music.
I had been working purely abstractly for so long, it was important for me to see whether I was working abstractly because I couldn't work any other way, or whether I was doing it out of choice.
One of the perks of growing up, but also one of the biggest challenges, is making decisions about the future. Deciding what kind of job you want, whether you want to finish school, or whether you want to go to university are huge choices to make.
The United States does not have a choice as to whether or not is will or will not play a great part in the world. Fate has made that choice for us. The only question is whether we will play the part well or badly.
A generation ago, or two, when there were three channels, plus PBS, and when you needed - when you needed 15 million people to make a living, the media could focus on the broad country. And most people had no choice about getting political information. It was there at 6:30 whether you wanted it or not.
Pamela realizes for the first time in her life that she hadn't made the wrong choice at all. Nor had she made the right choice. She had simply made a choice. And somewhere along the way, she had lost the courage to live by it
I went to University after my A levels and did a degree in performing arts. It was only when I got there that I realized there were stage schools out there, and you had your union and your contacts and The Spotlight and this whole world of the acting industry that I had no idea about. So when I graduated, I took a year out and just thought really hard about whether it was something I knew enough about, and whether it was the career I could dedicate the rest of my wacky life to.
I think love is often a bit selfish, even before we had consumerism. That's not new. A consumer society gives you the illusion of having massive amounts of choice and saddles you with the freedom of being able to dabble in that choice. And at the same time, you are left with the tyranny of self-doubt and uncertainty about whether you made the right choice.
When you're listening to a recording, you're supposedly listening to some aspect of the past in the present as you travel slowly into the future, but you also know there's a very strong likelihood that the future of that recording, whether you made it or whether you're listening to a Led Zeppelin record, is going to continue probably far beyond where you are.
I wondered whether I could find a Great Perhaps here at all or whether I had made a grand miscalculation.