A Quote by Priyamani

I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry. — © Priyamani
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
Rather than doing a hero-oriented film, I love being a part multi-starrer film, because such films always strike a chord with audience.
Rarely do heroine-oriented films happen in the film industry.
No one watches 'Taxi Driver' and says, 'Oh, it's a male-oriented film.' No one looks at nine-tenths of the films out there that are headlined by men and say, 'It's a male-oriented film.'
The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
Acting in a heroine-oriented film is a tough job.
I started my career with her. I was supposed to do my first film in Tamil in which she was the other heroine. The film was titled 'Vennira Aadai.' It was a love triangle, with Jayalalithaaji and I playing the hero's two love interests. But the director Sridhar removed me from the film after a few days' shooting.
I don't understand this concept of women-oriented films or stories based on women, because nobody uses the term, a 'man-oriented' film. Why do you have to separate girls from boys?
I only would say yes to a film, do a film or any project, if I think I would watch it. Whether the audience will like it, not like it, how will they take to the film, these are not things in your control and you shouldn't bother about them.
This industry is in a hurry to gain solid results. They expect a hero or a heroine to get intimate on the first day of meeting for the good of the film, which is against my temperament. I draw a line, which the industry doesn't like.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?
Yes, I would surely like to work with Neha in a family oriented or a romantic-comedy, or in any Punjabi film.
I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.
Eventually, after the hero and heroine, it is the antagonist who comes with the most anticipation in any film.
There are few teachers from the film industry to guide newcomers. One can see a gap between the film industry and those teaching at film schools.
I would like to be a part of a movie which is based on dancing as I think I can showcase my skills completely in a dance oriented film.
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