A Quote by Priyamani

The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space.
All the "not readies," all the "I need time," are understandable, but only for a short while. The truth is that there is never a "completely ready," there is never a really "right time." As with any descent to the unconscious, there comes a time when one simply hopes for the best, pinches one's nose, and jumps into the abyss. If this were not so, we would not have needed to create the words heroine, hero, or courage.
I love that Moana is a heroine, and I hope people take that away, and that you most certainly can be the heroine, or hero, of your own story.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
Rarely do heroine-oriented films happen in the film industry.
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
There are so many fabulous heroine-oriented projects happening in Mumbai, whether it's 'Kahaani,' 'Bobby Jasoos,' 'Queen' or 'Mardaani.'
I like Hindi movies. Although my wife thinks the hero and heroine breaking into a song and dance every five minutes is ridiculous, but I find them entertaining.
There are no hero-heroine films any more. They are more character-oriented.
I never go to movies where the hero's tits are bigger than the heroine's.
What makes a heroine? I think I can answer that. A heroine is a woman who risks going too far in order to find out how far one can go for a cause greater than herself.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
This industry is in a hurry to gain solid results. They expect a hero or a heroine to get intimate on the first day of meeting for the good of the film, which is against my temperament. I draw a line, which the industry doesn't like.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
I never stopped being a heroine. I began acting when I was four and bagged my first film as a heroine at the age of 15.
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