A Quote by Priyamani

I have always got interesting roles in Malayalam cinema. — © Priyamani
I have always got interesting roles in Malayalam cinema.
We have always wanted to give back to cinema, and we couldn't possibly think of a better way to do that than facilitate films which we believe will make Malayalam cinema proud.
I have always tried to make life interesting for myself by doing different roles that connect mainstream cinema with its offbeat counterpart.
In Hindi cinema, the cabaret dancers were eased out when the heroines imbibed their mannerisms. This could happen in Malayalam cinema too.
I always was a great fan of Malayalam cinema, Sathyan in particular. I loved their understated acting.
I've always admired Cate Blanchett and the roles she chooses. I think she's got an incredible discipline in a way, with choosing roles that are going to help her grow and bring something interesting to the world.
I have always wondered why I don't get as many good roles in Malayalam as I do in other languages.
The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
I'm not an American as you know, and to deliver "Jackie" today in the United States and understanding the role of women in society is changing and I hope it just gets better and better - and also in cinema. There's very few interesting roles today for women in cinema. It's getting better and stronger and, and I'm proud to be part of that.
My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
My fan base is in Malayalam cinema, and that's where I want it to be.
I had been playing really interesting roles before I got great roles. Little ones - 'The Crying Game' I loved working on, and then 'Bird,' 'Ghost Dog,' so many films.
The pacing in Tamil and Telugu is very different from Malayalam cinema.
I'm a big fan of silent cinema and I think that before I got into the canon of European arthouse cinema, the first interesting films I liked as a kid were German expressionist silent films.
It is disappointing to find that music in Malayalam cinema is drifting away from its strong melody-base.
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