A Quote by Priyanka Chopra

Black, brown, white, yellow - why are we always talking about colors? I'm a girl. I believe in a global community. — © Priyanka Chopra
Black, brown, white, yellow - why are we always talking about colors? I'm a girl. I believe in a global community.
Unlike yellow and brown people, the white does not usually believe he can get attention from matter or objects. ... The white goes further. He often believes he can get attention only from whites and that yellow and brown people's attention is worthless. Thus the yellow and brown races are not very progressive, but, by and large, saner.
When it comes to our precious poor children of all colors, maybe disproportionally in percentage black and white and red, but all colors, yellow as well as white, we need to push toward integrated schools.
Black, white, yellow, brown - we wanted somebody who would do right by us. And I think because Obama was that person, whether he was black or white, he was chosen
Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.
Part of our tradition as black women is that we are universalists. Black children, yellow children, red children, brown children, that is the black woman's normal, day-to-day relationship. In my family alone, we are about four different colors.
We are not Black Muslims we are Muslims. You see, you have Catholics. You have Chinese Catholics, you have Indian Catholics, you have black Catholics and white Catholics. But I'm sure you don't ask a man are you a white Catholic? Are you a Chinese are you a yellow Catholic, a red Catholic, or a white Catholic? He's just a Catholic. We have black Muslims, we have brown Muslims, we have red Muslims, we have yellow Muslims, we have even white complected Muslims, so I'd like to clear that point, this is a press word, Black Muslims.
To allow injustice and inequality invites a Ferguson to your community. We must stand together, black, white, brown, red, and yellow and fight for justice and equality for all. It's the only way to avoid more Fergusons.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals — black and white — but then who thinks of a movie queen in black and white? Everything has to be in living color.
I've been thinking about where I want to take my live show. I want everything in it to be pink, gold, and black. I don't want people to feel any other colors, like brown or yellow.
Our flag is read, white and blue, but our nation is a rainbown-red, yellow, brown, black and white - and we're all precious in God's sight.
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
I am Charles Mingus. Half-black man. Yellow man. Half-yellow. Not even yellow, nor white enough to pass for nothing but black and not too light enough to be called white.
We got to face some facts. That the masses are poor, that the masses belong to what you call the lower class, and when I talk about the masses, I'm talking about the white masses, I'm talking about the black masses, and the brown masses, and the yellow masses, too. We've got to face the fact that some people say you fight fire best with fire, but we say you put fire out best with water. We say you don't fight racism with racism. We're gonna fight racism with solidarity. We say you don't fight capitalism with no black capitalism; you fight capitalism with socialism.
All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess.
Certainly I feel like I'm the tip of the arrow at times because certainly the national media wants to talk about the fact that I'm a black Republican and some people think of that as zany that a black person would be a conservative but to me what is zany is any person black, white, red, brown or yellow not being a conservative.
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