A Quote by Priyanshu Chatterjee

'Little Baby' is a beautiful film about father and daughter relationship which talks of generation gap. — © Priyanshu Chatterjee
'Little Baby' is a beautiful film about father and daughter relationship which talks of generation gap.
I took my daughter to the father-daughter dance, and I cried like a little baby.
I took my daughter to the father-daughter dance and I cried like a little baby. She's 11 years old, so seeing her get dressed up and pretty made me cry.
Every generation trash-talks younger generations. Baby boomers labeled Generation X a group of tattooed slackers and materialists; Generation Xers have branded millennials as iPhone-addicted brats.
a daughter's love for a kind father ... is mixed with the careless happiness of childhood, which can never come again. Into the father's grave the daughter, sometimes a gray-haired woman, lays away forever the little pet names and memories which to all the rest of the world are but foolishness.
I am blessed that I can call Mithun Dad my father. We don't share a father-in-law, daughter-in-law relationship, ours is just like any father-daughter's bond.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
If there's no relationship with a father who's absent, nobody talks about it.
My father comes from a generation of film that actors my age don't even know about, which is really sad.
It's about a father and daughter and the daughter's friend and her relationship with her current husband.
I didn't have a father to deal with about boyfriends. I didn't have a father to show me how a man and woman relate in a family setting. Therefore, I have given over my life to mentoring young people. I'm adamant about young people who have been denied a father/daughter relationship.
Father-daughter relationship, is something that I think is so unique and it can't really be explained unless you have a daughter.
Even 'Piku' was quite an experiment in terms of storytelling because on the surface nothing happens in the film. If you ask me what was the film about, it was about father-daughter fighting and the narrative captured their daily life.
It's not just global warming, it's not just a loss of biodiversity, it's not just the pollution of our oceans and the clearing of our rainforests and all these complicated systems, The [11th Hour] movie talks about the world economy, it talks about politics, it talks about personal transformation and environmental consciousness that we need to have in this generation to implement a lot of these changes that need to occur.
For me, it was always clear that Toni Erdmann is more a film about what globalization, capitalism, does with private relationships much more than making a "political" film. It's more interesting to raise questions, because I don't feel in a position to "make a statement" with the film. Toni Erdmann comes from a completely different generation then his daughter, it's the post-war generation, they were very politically engaged. They raised their children with a lot of human worldviews, sent them out in the world believing in a world without borders.
Most directors that I've worked with - I've worked with before, especially in Holland - and they know that I'm somebody who talks and asks, and talks, and talks, and talks and questions and turns things around. I'm like a little cat, walking around my little nest until I find my place.
When my father is happy with my music, I know I have done something good, and there is no question of generation gap.
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