A Quote by Propertius
The eyes are the pioneers that first announce the soft tale of love.
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There are always two kinds of people in the world - those who pioneer and those who plod. The plodders always attack the pioneers. They say that the pioneers have gobbled up all the opportunity, when, as a plain matter of fact, the plodders would have nowhere to plod had not the pioneers first cleared the way.
Would not the child's heart break in despair when the first cold storm of the world sweeps over it, if the warm sunlight of love from the eyes of mother and father did not shine upon him like the soft reflection of divine light and love?
Our nation was built by pioneers - pioneers who accepted untold risks in pursuit of freedom, not by pioneers seeking offshore profits at the expense of American workers here at home.
Ignorantly is how we all fall in love; for it is a kind of fall. Closing our eyes, we leap from that cliff in hope of a soft landing. Nor is it always soft; but still, without that leap nobody comes to life.
Whatever they announce, they announce. They're in their honeymoon period, and anything they announce gets hype ... They will obviously branch out beyond Internet search, but I think the expectations won't live up to reality.
My eyes feel all soft, all soft as flesh. I'm going to sleep.
Soft you day, be velvet soft, My true love approaches, Look you bright, you dusty sun, Array your golden coaches. Soft you wind, be soft as silk My true love is speaking. Hold you birds, your silver throats, His golden voice I'm seeking. Come you death, in haste, do come My shroud of black be weaving, Quiet my heart, be deathly quiet, My true love is leaving.
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate, fully armed; I announce a life that shall be copious, vehement, spiritual, bold, And I announce an end that shall lightly and joyfully meet its translation.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
Champions are pioneers, and pioneers get shot at. The companies that get the most from champions, therefore, are those that have rich support network so their pioneers will flourish. This point is so important it's hard to overstress. No support systems, no champions. No champions, no innovations.
I think, in the eyes of a lot of circles, especially within football, I'm the soft guy. But I'm fine with being the soft, healthy guy.
Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.
Can we somehow muster the courage and steadfastness of purpose that characterized the pioneers of a former generation? Can you and I, in actual fact, be pioneers [today]?
I first saw 'They Shoot Horses, Don't They?' when I was very young. Its transporting qualities were so strong that I felt like I had lived it. Only recently, with adult eyes, was I able to metabolize how tragic a tale it really is.
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.
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