A Quote by Propertius
Let's give the historians something to write about
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I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
Most academic historians accept that historians' own circumstances demand that they tell the story in a particular way, of course. While people wring their hands about 'revisionist' historians; on some level, the correction and amplification of various parts of the past is not 'revisionism' as it is simply the process of any historical writing.
That historians should give their own country a break, I grant you; but not so as to state things contrary to fact. For there are plenty of mistakes made by writers out of ignorance, and which any man finds it difficult to avoid. But if we knowingly write what is false, whether for the sake of our country or our friends or just to be pleasant, what difference is there between us and hack writers? Readers should be very attentive to and critical of historians, and they in turn should be constantly on their guard.
The idea that historians write the definitive version of something that will last for all time is less current than it used to be.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
Historians who write about families are usually feminists who think in terms of gender relations.
As historians write more and more histories, it's a sort of self-fulfilling prophecy that other historians read their histories and then make synthesis, and certain things just get forgotten and left out and neglected.
Historians write favorably, you know, for example, about Stalin because he was doing big things.
Generations from now, when historians write about these times, they might note that, in the early decades of the twenty-first century, the United States succeeded in its great and historic mission--it globalized the world. But along the way, they might write, it forgot to globalize itself.
Write because you love it and not because it is something that you think you should do. Always write about something or somebody you know about - something that you feel deeply and passionately about. Never try and force it.
If you write a book set in the past about something that happened east of the Mississippi, it's a 'historical novel.' If you write about something that took place west of the Mississippi, it's a 'Western'- and somehow regarded as a lesser work. I write historical novels about the frontier.
I love writing novels, but I'm very fearful about writing something from absolute scratch. I kind of don't have the time to write something from scratch. I think when my knees completely give out, and I can't make films anymore, I would try to write novels from scratch.
You have to live in order to have something to write about - you get caught up in moviemaking and celebrities and money, and it's very intoxicating, but it doesn't give you what you need as a writer. You have to do something else for that.
Every man should write a brief history of his life: his parentage, his birth, his religion, when he was baptized and by whom, when ordained, what to, and by whom-give a brief sketch of all his missions and of all his official acts and the dealings of God with him. Then if he were to die and the historians wished to publish his history, they would have something to go by.
I want my children to have access to something that looks beyond what I call the tyranny of now. You read the paper, everyone talks about that thing [in the news] that day, and all the subconscious really important stuff that's going on is being neglected. The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.
I don't like people probing into my life, so I reveal as little as possible or lie about it as much as need be so as to give them something to write about.
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