A Quote by Prosenjit Chatterjee

My final ambition is to turn director. — © Prosenjit Chatterjee
My final ambition is to turn director.
In Korea, the director has the final word. If the director makes a decision, that decision is final. In Hollywood, every decision needs to go through the producer, the studio, and sometimes even the main actor. There is a certain procedure that needs to be followed.
I have a final word of advice to our students. If you work very, very hard, this is the kind of actor, writer and director you may turn out to be, and if you work extra hard, this is the kind of person you may turn out to be.
Ambition, I have come to believe, is the most primal and sacred and fundament of our being. To feel ambition and to act upon it is to embrace the unique calling of our souls. Not to act upon that ambition is to turn our backs on ourselves and on the reason for our existence.
Nobody sits alone accompanied only by a stewing ambition that won't see fruit for years. Ambition is something you turn into publicity before there's anything to publicize.
As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.
The philosophy I shared... was one of ambition - ambition to succeed, ambition to grow, ambition to move forward - backed up by hard work.
The point of having a director is that they make the final decision; it's their point of view, they set the rhythm and they make the final decisions.
An office party is not, as is sometimes supposed, the Managing Director's chance to kiss the tea-girl. It is the tea-girl's chance to kiss the Managing Director (however bizarre an ambition this may seem to anyone who has seen the Managing Director face on).
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
This is true happiness: to have no ambition and to work like a horse as if you had every ambition. To live far from men, not to need them and yet to love them. To have the stars above, the land to your left and the sea to your right and to realize of a sudden that in your heart, life has accomplished its final miracle: it has become a fairy tale.
Nothing moves around, it just goes straight from the start to the end. The final draft on the final day, that's it, same for the novels. What I turn in is what you see. There are some exceptions, but almost always I can see exactly what it's going to be.
I'm a choreographer and a director, and I have no ambition beyond that.
Independent film making is very collaborative. You feel like it's you, the director and other actors and you really feel like you have the final say. When you do the bigger films, the studio has to give the final thumbs up and they're usually not big on risk taking because they're trying to make money.
I have no ambition to be a technical director or TV pundit.
There's no such thing as a non-final cut director.
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