A Quote by Prosenjit Chatterjee

To portray a singer who gets on stage at night, who is away from the limelight, is never an easy task. — © Prosenjit Chatterjee
To portray a singer who gets on stage at night, who is away from the limelight, is never an easy task.
As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
I definitely have had a couple of years where I've been working constantly, but it never goes away, that worry that you'll never work again. It's a funny job. It never gets easier. Rejection never gets easier.
You can get bored up there on stage, night after night. But it's an open forum where you can get away with almost anything, so you might as well do it.
Come away with in the night Come away with me And I will sing you a song Come away with me on a bus Come away where they can't tempt us With there lies I want to walk with you On a cloudy day In fields where the yellow grass grows Knee-high So won't you try to come Come away with me and we'll kiss On a mountain top Come away with me And I'll never stop loving you And I want to wake up with the rain Falling on a tin roof While I'm safe there in your arms So all I ask is for you To come away with me in the night Come away with me.
Mind you, the limelight exists anywhere in the world. When you're not in the U.K., it can be as active somewhere else in the world, and for me, that's more or less been the case, so I never dropped out of the limelight in that sense.
When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.
I've never wanted to be famous. That has never been a part of any dream. I do remember being little and thinking I might want to be a singer. But not a famous singer - just, like, a singer.
I love the excitement, the center stage, the limelight.
If you're a lead singer, then you can't afford to be sensitive. On stage, everyone looks at the lead singer, even if you don't want them to - in America, they have those massive follow spots on you all the time; it does your head in. So, if you are a lead singer and you don't toughen up, you're in the wrong job, and you have to get out.
The gates of Hell are open night and day; smooth the descent, and easy is the way: but, to return, and view the cheerful skies; in this, the task and mighty labor lies.
It's easy for a singer to sometimes pick up on another singer's sound, but that's just copying.
I never step upon a stage without asking myself whether I will succeed in finishing the opera. The fact is that a conscientious singer is never sure of himself or of anything. He is ever in the hands of Destiny.
Comedy is very tough to do, it never gets the awards but it's the toughest task.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
I've always been a natural singer on stage and in the studio - never had a vocal lesson in my life.
It is easy to go down into Hell; night and day, the gates of dark Death stand wide; but to climb back again, to retrace one's steps to the upper air - there's the rub, the task.
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