A Quote by Pulkit Samrat

A love story definitely demands a great onscreen chemistry between its actors. — © Pulkit Samrat
A love story definitely demands a great onscreen chemistry between its actors.
Definitely, the most important part of a love story is the chemistry between the two actors because a love story is about a guy and a girl meeting and falling in love. You don't see love coming across if the chemistry is not there.
Chemistry's a weird thing. You can see actors who are friends in real life but have no screen chemistry. Then there are actors who don't get on but have great chemistry.
For a love story, basic emotion should be there, you need a combination of everything. Good chemistry between the actors, music, script. If even one of them is not in place, the magic will not be there.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
I think Kriti and I have great onscreen chemistry, which translates in real life.
One thing I think is really important is chemistry, and if actors have chemistry, audiences will pick up on that. Audiences will root for characters that don't even exist as a couple because the actors' chemistry is so strong.
Between New York and L.A., and all of us who are actors, I feel like we're just one big, cast repertory company, all running back and forth between the coasts and between different shows. There is a wealth of great character actors, who show up, here and there, on different shows. I love the fact that we're allowed to do that.
I grew up in L.A., and I don't think I've seen L.A. onscreen in a way that felt real to me. There are definitely movies, but they are few and far between.
This thing called chemistry, which I can't define and wouldn't know how to, either works or it doesn't. Sometimes a love story can involve very talented actors, but we are not invested emotionally in whether they end up together.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project.
Every film requires a different process. You learn about these particular actors and the particular chemistry between these actors. Recognizing when you don't need to shoot a scene because it's going to be cut anyway.
I love the chemistry that can be created onstage between the actors and the audience. It's molecular even, the energies that can go back and forth. I started in theater and when I first went into movies I felt that my energy was going to blow out the camera.
I love the chemistry that can be created onstage between the actors and the audience. It's molecular, even, the energies that can go back and forth. I started in theater, and when I first went into movies, I felt that my energy was going to blow out the camera.
It defiantly helps the chemistry onscreen if the audience can tell if the relationship is real or not.
I don't think you really have chemistry in the way that you want between two actors unless frustration is there as well.
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