A Quote by Pulkit Samrat
I am neutral when a film fails.
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Love as a concrete foundation for an authentically functional civilization requires the around-the-clock labors of forgiveness. Without it, Love fails, Friendship fails, Intelligence fails, Humanity: fails.
It is as hard to find a neutral critic as it is a neutral country in time of war. I suppose if a critic were neutral, he wouldn't trouble to write anything.
The film's title You Can't Be Neutral on a Moving Train. comes from something I used to say in teaching my students "This is not going to be a neutral class." The world is already moving in certain directions and wars are going on and children are going hungry. Terrible things are happening. And so to be neutral in a situation like this is to collaborate with whatever is going on. And I don't want to collaborate with the world as it is. I want to intrude myself. I want to participate in changing the direction of things. So that's the origin of the title.
I'm the type of guy who fails and fails and fails, and then, as if failure has become sick of him, succeeds.
I am all for love, because love fails. You will be surprised - I have my own logic. I am all for love, because love fails. I am not for marriage, because marriage succeeds; it gives you a permanent settlement. And that is the danger: you become satisfied with a toy, you become satisfied with something plastic, artificial, man-made.
When people talked about O.J. Simpson being race-neutral, that was a race card. It just meant we don't think of him as black. But race-neutral is just like flesh-tone Band-aids. It's not neutral; it's white.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
Your relationships will either make you or break you and there is no such thing as a neutral relationship. People either inspire you to greatness or pull you down in the gutter, it’s that simple. No one fails alone, and no one succeeds alone.
Hestia shook her head. "I am here because when all else fails, when all the other mighty gods have gone off to war, I am all that's left. Home. Hearth. I am the last Olympian
When a film fails, the lead actor is always blamed for it.
The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral.
If my film fails, I never think it was because the script was weak.
What I used to say to people, when I was much more engagé myself, is that you can't be apolitical. It will come and get you. It's not that you shouldn't be neutral. It's that you won't be able to stay neutral.
Tools are not neutral. The computer is not a neutral tool.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
There are some situations one simply cannot be neutral about, because when you are neutral you are an accomplice. Objectivity doesn't mean treating all sides equally. It means giving each side a hearing.
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