A Quote by Pulkit Samrat

I think Kriti and I have great onscreen chemistry, which translates in real life. — © Pulkit Samrat
I think Kriti and I have great onscreen chemistry, which translates in real life.
Chemistry's a weird thing. You can see actors who are friends in real life but have no screen chemistry. Then there are actors who don't get on but have great chemistry.
It defiantly helps the chemistry onscreen if the audience can tell if the relationship is real or not.
A love story definitely demands a great onscreen chemistry between its actors.
I have fun on the set and that translates onscreen.
It's a mystery that thing about chemistry because often people who hate each other in real life and hate each other on the set have great chemistry on the screen. And people who love each other in real life and love each other on the set have absolutely no chemistry whatsoever.
It's a mystery, that thing about chemistry, because often people who hate each other in real life and hate each other on the set have great chemistry on the screen. And people who love each other in real life and love each other on the set have absolutely no chemistry whatsoever.
Chemistry on film is like chemistry in real life, it's either there or it isn't.
You don't have to be best friends as basketball players but I do believe in chemistry. I think it makes everything different if a team is really together and they're all on that same page. They might not like each other, per se, but if you're on the same page and the chemistry is there, you can play great basketball. You can go back to teams like Detroit, the Bad Boys. Those guys had great chemistry, that's why they won.
Chemistry is a hard thing. I don't think you can force it, and it doesn't necessarily mean that you have to have great chemistry outside of work. It's just something that sparks on screen or doesn't.
One woman came up to me at a lecture and observed that I was much fatter than on television; I think I look better onscreen than in real life. It's the lights.
I don't think that there is anything unreal when it comes to romance onscreen. It's just a little more glorifying. But whatever you feel in real life about love, is just what we try to show on the silver screen as well.
On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.
I'm still basically an idealist, which translates into getting real things done to make people's lives better.
I think real life couples on screen are kind of deadly. For the most part, they're kind of deadly. You'd be surprised. Unless they're falling in love onscreen for the first time, you don't have quite the same energy for some reason.
Great music seems to come from a lot of angst, and that angst is from great musicians getting together with intense chemistry. When that chemistry isn't there, people tend not to write great music.
This means that we have here an entirely separate kind of chemistry for which the current tool we use is the electrometer, not the balance, and which we might well call the chemistry of the imponderable.
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