A Quote by Pulkit Samrat

When a shooting takes place, it is not just us, it is an opportunity for many bread earners - the light man, the boom man, the sound staff, the people who work to erect the sets, the camera team.
Bread sets free; but does not necessarily set free for good ends -- that dear illusion of so many generous hearts. It sets a man free to choose: it often sets free for the bad, but man has a right to that choice and to that evil, without which he is no longer a man.
A Red camera is the best. When I started shooting videos, I had to pay ten thousand dollars just to rent one. I was like, 'I do all these music videos, and I still don't own a Red camera?' So I spent about a hundred thousand dollars to buy one. My own bread. Boom!
If any one say that he has seen a just man in want of bread, I answer that it was in some place where there was no other just man.
A man must stand erect, not be kept erect by others.
I share with many people the feeling that there is a sweetness and constancy to light that falls into a studio from the north sky that sets it beyond any other illumination. It is a light of such penetrating clarity that even a simple object lying by chance in such a light takes on an inner glow, almost a voluptuousness.
Thus, just as animals of many species, including man, are disposed to respond with fear to sudden movement or a marked change in level of sound or light because to do so has a survival value, so are many species, including man, disposed to respond to separation from a potentially caregiving figure and for the same reasons.
As for bread, I count that for nothin'. We always have bread and potatoes enough; but I hold a family to be in a desperate way when the mother can see the bottom of the pork barrel. Give me children that's raised on good sound pork afore all the game in the country. Game's good as a relish and so's bread; but pork is the staff of life... My children I calkerlate to bring up on pork with just as much bread and butter as they want.
It takes minutes to play, but 'Unmanned' sticks with you for long after the credits roll. As a part of a two-man team for an unarmed drone, you experience one day in the life of this man who's tired of staring through the camera of a drone flying around the Middle East and keeping his finger on the trigger.
The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."
I'm the front man, I'm the man on camera, but there's a whole team beyond me.
Here is bread, which strengthens man's heart, and therefore is called the staff of Life.
When I'm with a man, my work takes second place - all I really want to do is get through the day so I can rush home to be with him. That's because my man is the most important part of my life.
Most times you do a movie every place except for what the camera sees is just a mess with the lights, people, and cameras so you get used to it. There is no way to shut that out, there is always a constant reminder of how many people it takes, what is going on and how many elements that goes into making this scene look right.
There is no miraculous change that takes place in a boy that makes him a man. He becomes a man by being a man.
The poor man who takes property by force is called a thief, but the creditor who can by legislation make a debtor pay a dollar twice as large as he borrowed is lauded as the friend of a sound currency. The man who wants the people to destroy the Government is an anarchist, but the man who wants the Government to destroy the people is a patriot.
Many times, we athletes have a camera in front of us and in many cases a lot of people with that same background or history do not have that opportunity.
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