A Quote by Puneet Issar

It's wonderful when you're performing and the audience responds to it. — © Puneet Issar
It's wonderful when you're performing and the audience responds to it.
To be honest with you, I don't know how even to articulate it at this point, because sometimes the real difference in the seasons perhaps will come in the way the viewership responds and the audience responds. The thing about the show is - we realign a lot about it once our audience watches it. We learn things that we can't even anticipate.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
I was five years old; I got addicted to being on stage. I felt like it was the most wonderful place on Earth, performing in front of an audience, who in this case were a bunch of classmates, kids my age.
I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
In the press, there's this desire for the black audience to be this monolithic thing that always responds to the same stars. That's a really reductive way of looking at the black audience.
In all my years of performing, no audience member has ever actually assaulted me. I consider this to be the singular triumph of my performing career.
When I write songs I write for myself...I'm writing it as a form of expression, and hoping to find an audience, an audience that responds to music that is honest and lyrical and tells stories.
You don't fully understand the meaning of a work until the audience responds to it. Because the audience completes the circle, and adds a whole other shade of meaning. Whenever you view something, and this is why great works of art survive decades and centuries, is because there's a door within the work that allows the audience to walk through and complete the meaning of the work. An audience isn't passive, nor are they unintelligent.
One of the great things about now vs. 10 or 12 years ago is we can see how the audience responds and the audience has an opportunity to be a community that engages each other and engages us and we're excited for that conversation.
I feel that tennis is an art form that is capable of moving the players and the audience - at least a knowledgeable audience-in almost sensual ways. When I'm performing at my absolute best, I think that some of the euphoria I feel must be transmitted to the audience.
The way you survive in the performing arts is by having a sense of your audience, and doing things which entertain and satisfy the audience, but in a more important way, cause the audience to question many things.
Once I'm performing the show, I think that hour show has a certain intimacy with our audience. And that intimacy is through the lens and the live audience is a witness to that, whereas the audience at home is actually the object of my efforts.
The wonderful news is that our Lord is a God of mercy, and He responds to repentance.
You can't control how an audience responds to something. It's up to them.
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