A Quote by Puneet Issar

In prose, if you forget a line, you can say something else in the same context. — © Puneet Issar
In prose, if you forget a line, you can say something else in the same context.
I'd rather call prose poems something else, for clarity - something like "poetic prose," prose that contains a quality of poetry, but not poems.
You all say the same thing. When something bad happens, everyone tells you to forget about it. But, I don't think you can forget that easily. You may be able to pretend you've forgotten, but I don't think anyone can completely forget.
A prose writer gets tired of writing prose, and wants to be a poet. So he begins every line with a capital letter, and keeps on writing prose.
I'm a line-maker. I think that's what makes poets different from prose-writers. That's the main way. We think, not just in sentences the way prose writers do but also in lines. So we're doing these two things at the same time.
Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
I don't know if this is true to you but for me sometimes it gets so bad that anything else say like looking at a bird on an overhead power line seems as great as a Beethoven symphony. then you forget it and you're back again.
I was a kid when I read Jane Eyre and fell in love with that universe. I didn't have the acumen to say the prose is old or the prose is too complex. I just fell in love with Jane's very lonely soul, much the same way I fell in love with Frankenstein's creature for the same reason. Those old souls exist in every decade in every century.
We are the only living creatures who can create a context, and as far as we know, everything else can only follow a context, without recognizing the context as such. Herein lies the source of creativity and the genuinely new.
When people get rich, they cut themselves off from the context that has earned them these riches - the context of the common men. They forget they are part of society.
Parents are led to believe that they must be consistent, that is, always respond to the same issue the same way. Consistency is good up to a point but your child also needs to understand context and subtlety . . . much of adult life is governed by context: what is appropriate in one setting is not appropriate in another; the way something is said may be more important than what is said. . . .
The Theory of Groups is a branch of mathematics in which one does something to something and then compares the result with the result obtained from doing the same thing to something else, or something else to the same thing.
The whole world has become a crowded theater. You could say something here in New York and have it be heard in Afghanistan and potentially trigger riots and it may be something that to you was innocent or was in jest or was satirical and it's taken out of context. I mean, a joke, a tweet or a blog post can make it halfway around the world before the context gets its boots on.
The line is a way of framing poetry. All verse is measured by lines. The poetic line immediately announces its difference from everyday speech and prose.
Speech and prose are not the same thing. They have different wave-lengths, for speech moves at the speed of light, where prose moves at the speed of the alphabet, and must be consecutive and grammatical and word-perfect. Prose cannot gesticulate. Speech can sometimes do nothing more.
Swimming is my passion and something that I love. Going out there in the water, it feels as if there's nothing wrong with me. I go out there and train as hard as anybody else. I have the same dreams, the same goals. It doesn't matter if you look different. You're still the same as everybody else because you have the same dream.
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