A Quote by Puneet Issar
I like to believe I play tragic heroes - characters that are torn between the good and bad, the black and the white.
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I like playing human beings - I don't believe in good or bad. I don't believe in black and white. I believe in different tonalities. I believe in different layers of emotions and states of mind. I believe in characters that can be human.
You want to believe in black and white, good and evil, heroes that are truly heroic, villains that are just plain bad, but I've learned in the past year that things are rarely so simple. The good guys can do some truly awful things, and the bad guys can sometimes surprise the heck out of you.
Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.
Heroes aren't supposed to do bad things. That's what villains are for. So either the good supersedes the bad, or the bad makes it impossible to remember the good. We don't like it when such duality exists in one person. We don't want to know our heroes are human.
There are no black and white, good or bad characters in 'Game Of Thrones,' but Joffrey was an exception. Just pure evil.
I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.
I like characters that are complex. I don't like people who are simple to play and are either black or white.
Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.
One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life.
'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
'Orphan Black' allows for people to have debates and theories and allegiances to different characters; to trust characters and hate other characters, but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling in my book.
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