A Quote by Pusha T
The fundamentals of hip-hop still play an important role, cause it's about those similes, those metaphors, those parallels. And to some people it's just about, "Man, I'm really relating to the lifestyle."
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This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
I would like to encourage hip hop artists to invite those of us who are in the queer spaces in, so we can have those conversations. I love hip hop. If you bring me in the studio, I know how to act. And we can talk about what's not cool because, clearly, there's still homophobia that penetrates in all these areas.
Man, I feel like hip-hop is - first of all, not even only with just GOOD Music, I gotta say - I think hip-hop is still alive in a strong way, man. I feel really enthused about hip-hop.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
Sometimes I'm just a little bit too honest. There was some things that were going on behind the scenes that I didn't like because it's not what hip-hop is about. Hip-hop is about honesty and it's about being real to the people, and I kinda felt like there's some instances where some artists aren't 100% honest with the people. Their integrity is lacking sometimes. And sometimes it comes out.
Hip-hop was born of people who did not have a voice. They were not heard. And those people exist and are a part of a framework of life... as long as that's true, people will gravitate to hip-hop.
I do watch some kind of terrible shows on VH1, 'Love & Hip Hop: Hollywood,' 'Basketball Wives.' Those are like my guilty pleasures. When I want to see some drama, I'll watch those.
We've just been nostalgic about old-school hip hop, listening to it at home and looking at people like Slick Rick and all those guys who used to wear huge jewellery.
You'll be fooled if you only get your hip-hop from the mainstream, you know. The things that move people are not just found in the mainstream cultures. And when we talk about hip-hop in general, hip-hop's basically preoccupied with life.
I think Hip Hop and Gospel are such strong distinct cultures that have problems, unspoken problems obviously, but problems with one another. On the hip hop side, it's the problems of "awe man I don't like the suits and ties," and on the Gospel side it's " awe man they need to pull their pants up." I just think those are minor, really small issues that we just need to get over and learn to help each other. We're all on the same , and in the same boat.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.
Some people say I make hip-hop. Others see me as doing EDM. Some people might look at me as a trap artist, but I'm not really stuck to any of those.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
When I was still back in Cameroon, because I didn't know English, I used to listen to French rap all the time and then a little bit of American hip-hop. And then, when I got to the States, that's when I really got into all those guys - Lil Wayne, Rick Ross, all those guys.
I'm born and raised in Dusseldorf, and my parents emigrated to Germany sometime in the '70s, so I grew up completely different from any other German. I found my love in hip-hop music. Hip-hop was delivering everything that I needed: the message, the lifestyle - everything. I fell in love with it and I'm still hip-hop.
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