A Quote by Pusha T

Me tweeting sometimes, it's like, I don't even remember what I say. It's just coming off how it's coming off. — © Pusha T
Me tweeting sometimes, it's like, I don't even remember what I say. It's just coming off how it's coming off.
Okay, I get kicked off the drums when I try and...the notes just keep coming at you and I'm like "Ahhhhh!" I can't do it. I have literally gotten booed off the stage way too many times. It's terrorizing. The rest of my band mates just are...they tell me to get off. I'm like, "I can play bass. Dunk, dunk, dunk, dunk."
Well I remember the first thing that from coming from New York that just stunned me and I couldn't understand was that you valet park for everything. Even - you valet park to go to the dry cleaner. And that, you know, that just blew my mind. I was like, okay, you have to pay $5 to a guy to just drop off your dry cleaning. And so that, to me, was nuts - the fact you're always arriving.
As for whom I would like to fight, I always want to fight a guy coming off a win, because the guys coming off a loss are always very tough. They're fighting for their lives.
Well, just coming off the stage and there's like 180,000 people out there and your adrenaline is going so high, and you're doing so much and it's hard to just put your head on the pillow and sleep because it just goes on and on, even after you're off the stage.
I did not sit down and watch 'Baywatch' growing up. But I do specifically remember it coming on, and I remember it going off. I watched something that came on right before and then going back to that channel to watch what was coming on afterwards.
A lot of the old-school artists didn’t even respect what’s being called freestyle now... any emcee coming off the top of the head wasn’t really respected. The sentiment was emcees only did that if they couldn’t write. The coming off the top of the head rhymer had a built-in excuse to not be critiqued as hard
I find that with fantasy, you lose yourself in it a lot. It's great to be able to go into a dark theater or turn off the lights in your house and just get sucked into this world. I remember watching Star Wars when I was a little kid when they did the re-release of all the originals. I couldn't even read yet but my uncle took me and he would read me the opening as the words were coming up on the screen. I just remember being so sucked into that and thinking, "I want to be Luke Skywalker."
For me, I have to say that I like to work a lot too, but I like not working better. The perfect scenario is when you just worked and you know something's coming up, then you have four, five, six months off. But you know you're going to have a job later.
I came on the intro with 'The Rapture.' If you know what the rapture is, it's the coming of Jesus, and I had to take it off because of what happened...I had the destruction, the bombs, and...the world coming to a end, so it had to come off.
Sometimes I not only stand there and take it, I even smile at them and say I'm sorry. When I feel that smile coming onto my face, I wish I could take my face off and stamp on it.
There's nothing like coming home here, having the day off or morning off and going surfing. In Orlando I don't know what I would do.
For Russians in the '90s, there was that sense of not knowing what the future held at all. And coming off a long period of when people actually were robbed of the ability to plan their future - that's very much a part of totalitarian control - that exacerbated it. In this country, we are not coming off a long period like that. But I think that for a lot of Americans, as a result of globalization, as a result of the housing crisis, the future is just too uncertain. And their place in the world is too uncertain.
I do a lot of work with policymakers, but how much effect am I having? It’s like they’re coming in and saying to you, ‘I’m going to drive my car off a cliff. Should I or should I not wear a seatbelt?’ And you say, ‘I don’t think you should drive your car off the cliff.’ And they say, ‘No, no, that bit’s already been decided—the question is whether to wear a seatbelt.’ And you say, ‘Well, you might as well wear a seatbelt.’ And then they say, ‘We’ve consulted with policy expert Rory Stewart and he says . . . .’
You get to thinking that because you've written 50 or 100 songs, you think maybe you know how to do it. But when they're not coming along, you're just as in the dark as you ever were. When they're coming along, there's nothing to it. Sometimes it's so easy, it's like you're a court stenographer.
I wear football socks and I actually tape my shoelaces to my socks. I don't like anything to be putting me off. I don't have an excuse of the shoelaces coming off.
I remember coming upon Philip Larkin in my 20s in the early '60s and when Sylvia Plath's "Ariel" came out it knocked me off my feet.
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