A Quote by Q-Tip
In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.
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Clive Davis told me that "Since U Been Gone" would be on the radio in April. It came out in October. I remember counting the months. I remember thinking he was crazy, that he was out of his mind. But he was right. Never doubt Clive Davis.
The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.
We'd just signed with Arista, the record company. Arista was freaking about the phenomenon of tapers showing up at our shows. They were insisting that we put an end to this. And we just didn't want to do that.
Clive [Davis] tried to tell me that saying certain words in a song - or as he says, 'putting some balls into it' - isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did.
I was signed by L.A. Reid on Arista Records when I was 16. He understood me and believed in me. Arista folded and I got put on RCA or whatever, then there were new people there, and every six months it changes and more new people come in.
Jon Davis was a fan and came out on stage with us somewhere in the Midwest and came out in a Suicide Silence shirt and a kilt and did his thing.
I would say my favorite is probably the 'Colder' video. Just because that sort of brings the album artwork to life. It's not my favorite song on the album, but visually, I think it just came out exactly how I had it in my head.
I just don't think people listen. I mean, they can't listen to a whole album closely without checking their iPhone or wanting to skip to their favorite song, or putting something else on, practically. That's why the zone out is a good thing.
The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
You know...sometimes I'll be looking out at the audience and I'll be in the middle of a song, and I'll just stop dead. I'll look out at them, and think what is this... There's one thing that keeps me doing it though, I really love it, I believe in it.
I remembered a long time ago when 'A League of Their Own' came out, and they had the opening sequence with an older Geena Davis. We all just thought it was amazing, but you find out it actually wasn't Geena Davis; it wasn't makeup. It was basically finding an actress that looked like her, and then Geena just dubbed her voice.
If you’re frustrated because you’re not getting what you want, stop for a second: Have you actually flat-out asked for it? If you haven’t, stop complaining. You can’t expect the world to read your mind. You have to put it out there, and sometimes putting it out there is as simple as just saying, “Hey, can I have that?
That's one thing about my shows. I tell people, I'm not a comedian, I'm just a really funny reporter. I put my life out there and make it entertaining. By putting it out there, it helps me to deal with it, you know, so I don't snap and so I don't go off the handle when I get home.
The thing with me is I'd rather have my cult following than just have a huge song. I haven't had one album or one official single release, but I probably got 500 songs out in people's collection.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I started out as a drummer, and when I was 9, my drum teacher had an album out. He was the rudiment king! He signed it for me, 'Rudimentally yours, Frank Arsenault.' How cool is that?
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