A Quote by Queen Latifah

It was a very vulnerable time going from being insecure about my body and who I am to becoming comfortable with me. I had to tune out what the hell everybody else had to say about who I was. When I was able to do that, I felt free.
I think that, if anything, the pageant is great for people who suffer from body issues. It's all about being comfortable with what you're given and what you have and being able to flaunt it without being insecure. It's about empowering women, not making them feel weak or less.
I have felt so insecure about my body at times. I've been on every end of the spectrum. I felt like I was too skinny and wished I could be muscular. I've felt like I was chubby and wanted to be skinny. I think everybody suffers from body image issues. I might exude confidence sometimes, but I'm pretty insecure.
Back home I had always been comfortable around people. I was the troublemaker, always being funny - that's just who I am. I'm Latina; I've always had that extra little flavor. But when I got to New York, it became about being comfortable with myself in a place where I didn't know many people, and that was the big challenge. Ultimately my personality helped me build relationships with the people I was working with, and I was able to stand out.
A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn't just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
I was able to do well for myself, make a statement in the league. I had a heck of a time doing it, but at the end of the day, it's about me and my family and being comfortable and being fun.
You'll have games where you're out there a long time. Being able to go through that and not get stiff was a good thing for me, ... As I went along, it felt better, and on that last play [a nifty move to his right and a throw across his body for the final out in the seventh] had a lot of body torque to it, and no problems.
That's critical to me, the community. When I was 12 years old, I had a mental breakdown; I went berserk for a long time. I felt rejection from the white community. Couldn't understand why the pigmentation of my skin kept me from doing. Everybody always told me "You're going to be something." And of course, I began to raise questions about why it is that white folks treat us the way they do. The breakdown was very vivid. I just all of a sudden felt like I had been overcome by a train.
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
Growing up, I felt insecure about my build. I didn't feel very feminine. But as time went on, I learned to completely embrace my body.
Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.
I was 21. At the time, I was under the thumb of my label, and I felt like I had to do, say and act out everything they asked me to do. I was trying to please them and the public and finally I had to say, "Enough. I'm going to make a record that makes me happy and addresses all facets of being a woman. I don't care if I sell one or one million records." That's how I came to make Stripped.
I felt voiceless for so long, I wasn't ever able to say what I felt out loud. I didn't know how to say it. Posting online presented itself as a comfortable medium. I could say what I wanted to say in a way I still felt comfortable. Whenever, however I wanted to.
When you're an insecure teenager, you build walls and defenses and masks, and those are incredibly satisfying to perform and chip away at. I mean, when I was an insecure teenager, you'd have had no idea what I was insecure about because I hid it so well. Only confident people are comfortable wearing their vulnerabilities on their sleeve.
Once I've properly finished a book, my ideal state of being would be to never think about it again. But with 'Capital,' I felt I'd spent so much time with the characters that they were very, very real, and I definitely had a sense of loss about leaving them behind in a way I've not quite had before.
I never really thought about my music being universal. When I set out to write, it was just a feeling that felt good to me. I never thought about being able to reach everybody.
My father worked in a factory and as a child it felt very secure. It felt very secure because everybody had work, the schools were free, so there was a security of knowing that the war had finished and families would come together again.
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