A Quote by Queen Latifah

I have a no-die clause in every movie. The black people can't be dying all the time. — © Queen Latifah
I have a no-die clause in every movie. The black people can't be dying all the time.
Every now and then you get a nice Jewish kid who likes black people and they would come in, and it would be a stream of them, and have black friends and really feel the black struggle on the acting tip and it's a reason why all of us are not dying in the movie.
Fifty million people die every year, six thousand die every hour, and over one hundred people die every minute. But when thousands of people die in the same place and at the same time, we are more likely to wonder why God would allow such a thing to happen.
Rock & Roll is so great, people should start dying for it. You don't understand. The music gave you back the beat so you could dream. A whole generation running with a Fender bass...The people just have to die for the music. People are dying for everything else, so why not the music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?Perhaps I should die. After all, all the great blues singers did die. But life is getting better now.I don't want to die. Do I? - Lou Reed (1965-1968)
Rock & roll is so great, people should start dying for it. You don't understand. The music gave you back your beat so you could dream...The people just have to die for the music. People are dying for everything else, so why not for music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?
Any time you are with anyone or think of anyone you must say to yourself: I am dying and this person too is dying, attempting the while to experience the truth of the words you are saying. If every one of you agrees to practice this, bitterness will die out, harmony will arise.
I always feel that there's no violence in a movie - it's not real, it's a magic trick. Nobody is really dying. In fact, the people that die in my movies have gone on to become extremely successful!
We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.
My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.
It's funny how it usually works out that I end up dying. It sort of works out, because by the time I die, I'm usually tired of working on that particular movie, so I look forward to it.
How do people come up with a date and a time to take life from another man? . . . Twelve white men say a black man must die, and another white man sets the date and time without consulting one black person. . . . They sentence you to death because you were at the wrong place at the wrong time, with no proof that you had anything at all to do with the crime . . . . Yet six months later they come and unlock your cage and tell you, We, us, white folks all, have decided it's time for you to die, because this is the convenient date and time.
Every time we make a movie, 'Guardians' included, 'Black Panther' included, 'Infinity War' included, we just feel lucky to be making that movie, and that's basically what the focus is on.
Living is the challenge. Not dying. Dying is so easy. Sometimes it only takes ten seconds to die. But living? That can take you eighty years and you do something in that time.
The inspiration for this movie [Something New] was this Newsweek article that came out a couple of years ago that talks about 42.4 percent of black women in America aren't married. Black women are shooting up the corporate ladder way faster than our black male counterparts. And (black men) are either dating outside their race, in jail or dying. And so if you want to have a family, you want to be married, you have to look at other options.
Some people are scared of dying. Never be afraid to die. Because you're born to die.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
I'm kind of like an open wound all the time, and that's hard. It's hard to deal with, especially in this industry. Every time I leave a movie, I feel like I'm going to die. Because you connect with these people, and then they all leave. I wish I wasn't like that, but I am.
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