A Quote by Queen Latifah
Don't you want to know what's real and what's not? I remember when I was a kid, you know, this whole Cold War thing. They had us scared of the Russians. So, it's almost like, what's real and what's not?
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When I trained for 'Creed,' I had about a year in advance to know what I was doing before. So I lived like a fighter, you know? I went through the workout routine, the diet, training with real boxers, training with real trainers, did the whole thing.
I remember after I dated this white man, nobody said anything but there was a couple of men in my family that joked after that. 'Oh yeah, we had a party when y'all broke up. Hee hee hee.' And, you know, they laughed, and it was like light and a joke. But, you know, that's real. That was real and they let me know. And, it's almost acceptable within our culture to be prejudiced toward whites because of our history. This country is loaded with racism .
If I was drunk, I wouldn’t be here at all. And really, this is pretty good for four White Russians.” “White what?” I almost sat down but was afraid the chair might dematerialize beneath me. “It’s a drink,” he said. “You’d think I wouldn’t be into something named that—you know, considering my own personal experience with Russians. But they’re surprisingly delicious. The drinks, not real Russians.
For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante.
I had a lot of successes, but what really made me fearless was my complete failure at Zidd-Davis. Once you've lived through that, you know you can survive, and you're not as scared... There's nothing to build confidence like real achievement, but also like real failure.
I really turned into, you know, the real street kid. I was kind of like a runaway, but I had a mother, you know what I mean, and I had a place to stay.
I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.
You'll walk with me out on the wire, cuz baby, I'm just a scared and lonely rider, but I gotta know how it feels... I want to know love is wild, babe, I want to know love is real.
I come out of a Cold War sensibility, a Cold War mentality, and during those Cold War years, I used to know, I thought, the answers to everything. And since the end of the Cold War, I'm just a dumb as everyone else.
For 40 years we were led to think of the Russians as godless, materialistic and an evil empire. When the Cold War ended, we suddenly discovered that Russia was a poor Third World country. They had not been equipped to take over the world. In fact, they were just trying to improve a miserable standard of oppressive living, and couldn't. They had to spend too much on arms build-up. We didn't win the Cold War; we bankrupted the Russians. In effect, it was a big bank exhausting the reserves of a smaller one.
[In 1951] we were also told that the Russians could be parachuting from planes over our town at any time. These were the same Russians that my uncles had fought alongside only a few years earlier. Now they had become monsters who were coming to slit our throats and incinerate us. It seemed peculiar. Living under a cloud of fear like this robs a child of his spirit. It's one thing to be afraid when someone's holding a shotgun on you, but it's another thing to be afraid of something that's just not quite real.
I was a very intelligent kid. I used my intelligence to support my passions. When it came to comic books, I became enthralled in the whole universe. I had to know all the facts and timelines. The whole fictional universe was real to me.
We shouldn't overdramatize the current disagreements with the Russians. They are real, but they're not really all that threatening. And the notion that we're moving back to some Cold War I think is really an exaggerated judgment.
People know that fame and position are pleasant, but they do not know that the pleasure of anonymity is most real. People know that hunger and cold are distressing, but they do not know that the distress of not experiencing cold or hunger is greater.
That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
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