A Quote by Quentin Crisp
Michelangelo worked from within. He described not the excitements of touching or seeing a man but the excitement of being Man.
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Man lives by habits indeed, but what he lives for is thrill and excitements. ... From time immemorial war has been ... the supremely thrilling excitement.
A man is not merely a man but a man among men, in a world of men. Being good at being a man has more to do with a man’s ability to succeed with men and within groups of men than it does with a man’s relationship to any woman or any group of women. When someone tells a man to be a man, they are telling him to be more like other men, more like the majority of men, and ideally more like the men who other men hold in high regard.
Man is a marble piece; unlike Michelangelo's masterpieces, man is unconsciously carved and imperfectly shaped by the nature
Technologically, modern man does everything he can do-he functions on this single boundary principle. Modern man, seeing himself as autonomous, with no personal-infinite God who has spoken, has no adequate universal to supply an adequate second boundary condition; and man being fallen is not only finite, but sinful. Thus man's pragmatically made choices have no reference point beyond human egotism. It is dog eat dog, man eat man, man eat nature.
Every human being lived behind an impenetrable wall of choking mist within which no other but he existed. Occasionally there were the dim signals from deep within the cavern in which another man was located so that each might grope toward the other. Yet because they did not know one another, and could not understand one another, and dared not trust one another, and felt from infancy the terrors and insecurity of that ultimate isolation there was the hunted fear of man for man, the savage rapacity of man toward man.
Art is a funny thing. It's a communicative medium. It really is, and it works outside of literature, the movies, stage, it has its own realm. It's like when you say "The Arts," those are all the arts, dance, theater, ballet. So within that set of areas of expression, we have visual art and it is visual and it's about looking at something and seeing it in the light with our eyes, maybe touching it or not touching it, or wanting to touch it, not being able to touch it.
Biggest man law - be a man. Simple: be a man, definition of being a man is being a man. And don't let your woman turn you into a little boy.
I admire most of all The Renaissance Man, and if it can be said without pretentiousness, I like to think of myself as one, at least in some small measure. Not a Michelangelo, mark you, but perhaps a poor man's Cellini or a road company Cosimo de' Medici ... the Renaissance Man did a number of things, many of them well, a few beautifully. He was no damned specialist.
Alongside the statement about one man's poison being another man's high, one might as well add that one man's saint can be another man's sore and one man's hero can turn out to be that man's biggest hangup.
There is relationship between sight and touch, something about eyes being able to see through the fingers touching the clay, about fingers being able to feel what the eyes are seeing without the fingers actually touching it.
Seeing my dad wake up super early when the sun wasn't even out and then coming home when the sun was set, he worked his tail off to provide for our family and did a great job. He's the most selfless man I know, and I think if I'm half the man he is, I'll be all right in this world.
A man does not show his greatness by being at one extremity, but rather by touching both at once.
When a man touches a woman's body, he is not just touching her body. It goes MUCH DEEPER than that for a woman. He is touching parts of her soul-parts as diverse as how she feels about being a grandmother some day, to what is her favorite ice cream, to how much she loves her pet, and to her opinion of how the current President is governing. The man wants a sexual encounter and love is far from his mind; she desires permanence, commitment, safety, and security.
I know the feeling of being in a city - and a team winning a championship - as a young person, and then seeing the impact in the community, seeing the excitement for days, for weeks, for long stretch of time, and how special it can be.
I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.
Along with the lazy man... the dying man is the immoral man: the former, a subject that does not work; the latter, an object that no longer even makes itself available to be worked on by others.
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