A Quote by Quentin Crisp
What better proof of love can there be than money? A ten-shilling note shows incontrovertibly just how mad about you a man is.
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He’sh mad?’ ‘Sort of mad. But mad with lots of money.’ ‘Ah, then he can’t be mad. I’ve been around; if a man hash lotsh of money he’sh just ecshentric.
Jesus Christ said more about money than about any other single thing because, when it comes to a man's real nature, money is of first importance. Money is an exact index to a man's true character. All through Scripture there is an intimate correlation between the development of a man's character and how he handles his money.
You'd think they could spit out shows better than 'Champs' and 'High Incident' with the pool of talent involved, unless they're just throwing money at people to create shows and they're not really behind them. I mean, the best thing they can do is 'Champs,' a half-hour comedy about men being stupid? People can just look around and see that.
He who recognizes no higher logic than that of the shilling may become a very rich man, and yet remain all the while an exceedingly poor creature; for riches are no proof whatever of moral worth, and their glitter often serves only to draw attention to the worthlessness of their possessor, as the glow-worm's light reveals the grub.
Money is more than a massively consensual IOU note. It is a piece of infrastructure and is as artificial as Interstate 5, NutraSweet or season three of 'Mad Men.'
The amazing thing about the cistern is that, if you're improvising in a dead room, you play your note and then you're left with your thoughts and you have to be really quick on your feet and be able to move through many different musical thoughts seamlessly. Improvising there is just, like, you play a note and then you had at least ten seconds to think, "What would be the perfect accompanying note to that?" And then you could add that note. You can just build this puzzle that was really amazing.
In terms of scripted shows, I love 'Mad Men.' Cinematically, it's one of the most beautiful shows ever made. I love the subtlety of the acting and the storytelling, and I love that they don't think the audience is dumb. They make a great show, and you figure it out, and it leaves you with so many questions - it's just great.
I was raised to believe that you had to do things better than white people in order to succeed. The old black shows were better than the white shows. "The Jeffersons" (1975) was a lot better. "Good Times" (1974) was way funnier. "Sanford and Son" (1972). Now, though, everyone thinks we're equal, so we submit the same shit that everyone else submits. And then we get mad when they won't air it. You got to go back to the old attitude of it has to be twice as good.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
One can never really give a proof of the reality of anything; reality is not something open to proof, it is something established. It is established just because proof is not enough. It is this characteristic of language, at once indispensable and inadequate, which shows the reality of the external world. Most people hardly ever realize this, because it is rare that the very same man thinks and puts his thought into action.
Have you watched it? A man who is too greedy about money, by and by starts having the qualities of money. He becomes just money. He loses spirituality, he is no more a spirit. He is reduced to a thing. If you love money, you will become like money. If you love your house, by and by you will become material. Whatsoever you love, you become. Love is alchemical. Never love the wrong thing, because it will transform you. Nothing is so transforming as love. Love something which can raise you higher, to higher altitudes. Love something beyond you.
I'd rather have ten people who are mad for it than ten thousand who aren't.
I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
In the world of high finance the shilling of the idle rich man can buy more than that of the poor, industrious man.
Money has not changed me. I am living proof. I'm worse than I was, all right, when I was poor. I don't care about money. Money - you can't buy me. And I don't care about it.
Nothing, to my way of thinking, is a better proof of a well-ordered mind than a man's ability to stop just where he is and pass some time in his own company.
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