A Quote by Quentin Crisp
Nearly always when actors are approached by the beauticians, they try to avoid the dabs that the beauticians put on their faces. They dodge them.
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When I go out, I love to put on mascara and lipstick, but I simply don't have time for leisurely facials and treatments. Going to the beauticians is not a priority for me, as when I'm off work, there is always so much catching up in the house to do.
Growing old gracefully used to begin at about 35, but today women prefer to 'stay young gratefully' with thanks to designers, beauticians and plastic surgeons.
Learn to take losses quickly and cleanly. There is something about inside information which seems to paralyze a man's reasoning powers. Beware of barbers, beauticians, waiters - or anyone - bringing gifts of 'inside' information or tips. Don't try to be a jack of all investment. Stick to the field you know best.
When beggars and shoeshine boys, barbers and beauticians can tell you how to get rich it is time to remind yourself that there is no more dangerous illusion than the belief that one can get something for nothing.
Occupational licensing laws - in trades like moving companies, realtors, hair dressers, limousine services, beauticians, physical therapy, and on and on - stunt small business start ups, destroy jobs, and raise prices for lower-income consumers.
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
And I think musicians can better run this state than politicians. And, hell, beauticians can better run the state than politicians.
Each time, I try to find a family of interesting faces. I follow the tradition of films from the 40s - at this time, there were so many interesting faces in France. I often work with the same because there are not thousands and thousands in France. I'm looking for interesting faces and characters actors, and it's not for everybody.
I try to avoid a specific image. I seek to play as many different women as I can to avoid having a label put on me.
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those-in the official capacity as well as the self-appointed. Suffer them if you can't escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists.
I think that when you put yourself, as actors have to do, in other people's shoes, when you have to put on the costume that someone else has worn in their life, it gets much, much harder to be prejudiced against them and even to be - to not try to look at the world in a sense of "I'm not going to judge somebody. I'm going to try to understand who they are and what they're about."
We all put on faces, as Walter White does. We put on faces when we meet our friends, when we meet new people, when we present ourselves in interviews. We try to be who the people we meet want us to be, or who we want to truly be.
Romantic Orientalism was fascinated by the color and excitement of a powerful culture, and nearly always approached its subject with love.
I always try to keep the confidence of the actors, and try my best to make them feel comfortable or confident.
I always try to approach things from the point of authenticity. I've done that for my short films, working with non-actors from the real environments where you go exploring and placing them into the cast alongside professional actors.
I try to avoid all mistakes. I try to prepare my players and to put them in the best condition to play the game. If you discover a problem during the game, it is too late. You must anticipate and prepare.
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