A Quote by Quentin S. Crisp

I was born in the seventies, age of bad haircuts and grainy colour photos. — © Quentin S. Crisp
I was born in the seventies, age of bad haircuts and grainy colour photos.
I'm pro-forwards. Do I want the Seventies to come back? No. The haircuts were terrible. Everyone stank. The food was awful.
I got kicked out of four high schools just because people took issue with the colour of my skin. As if I could help the colour I was born.
There are no bad haircuts in cyberspace.
I've had some bad haircuts in the past.
Age puzzles me. I thought it was a quiet time. My seventies were interesting and fairly serene, but my eighties are passionate. I grow more intense as I age.
It was the early Seventies, and I discovered makeup by going through my mother's fashion magazines. I fell in love with the photos, the models, the fashion.
If you have newspapers dating to the last millennium, magazines from the Seventies stacked on your nightstand, and countless envelopes filled with family photos stuffed in a drawer, you may be carrying procrastination to an extreme.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
Things have become considerably better for men of colour since I was born. But I'd say that we'll be really getting somewhere when things get better for women of colour.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
At the end of the day, I'm human. I'm English - I was born here. Of course I'm a different colour from you, but I'm still human. The main thing is, I'm human - like everyone else. Because I'm a different colour doesn't mean there is a difference.
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
You know, when you see a haircut of yourself from around 12 or 13, it's rough. I also had really bad acne. Where I had to take this medicine - serious medicine - with warning on the label, like, "Do NOT take this if you are pregnant." Thank God I wasn't pregnant at the time. But yeah, I just had bad haircuts, bad acne, and bad clothes for a long time. And probably still right now.
The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
For me, pink or lilac is the colour of innocence, it's the colour of love, it's the colour of everything happy.
Yes, there are probably too many tattoos. But there are too many bad haircuts, too many bad shoe choices, too many bad jeans.
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