A Quote by Quentin S. Crisp
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
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'Collaborator' is a hostage tragicomedy, but it's also, kind of, everything I know about post-war America. Well, not everything, but it does reference a lot of the post-war period.
Comedy is a man's art form. It pretty much came from a time, post-World War II really - the 1950s are not really known for the subtle expressions of feminine life.
In that period, we had the Cold War mentality imbued through us - the Post-war [environment] and the Cold War. I think we were reflecting some of that. This was before the Wall collapsed, etc.
We're all more or less interested in the 'swinging sixties', of course, but that's not what I mean. I'm interested in the particular naive glamour that clings to the post-war and pre-Hendrix era.
One concern I had while I was working actively in the intelligence community - being someone who had broad access, who was exposed to more reports than average individuals, who had a better understanding of the bigger picture - was that the post - World War II, post - Cold War directions of societies were either broadly authoritarian or [broadly] liberal or libertarian.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.
We have a sufficient political class, and the military doesn't have to get involved in high national office. The days of doing that, post-Civil War and post-World War II, are gone.
On the justification for the war, it wasn't related to finding any particular weapon of mass destruction. In our judgment, it was much more fundamental. It was the removing of a regime that was hostile, that clearly had the intention of constructing weapons systems. ... I think, frankly, that everybody knew the post-war situation was probably going to be more difficult than the war itself. Canada remains alienated from its allies, shut out of the reconstruction process to some degree, unable to influence events. There is no upside to the position Canada took.
A particular type of film emerged from World War Two, with the Italian neorealist school. It was perfectly right for its time, which was as exceptional as the reality around us. Our major interest focused on that and on how we could relate to it. Later, when the situation normalized and post-war life returned to what it had been in peacetime, it became important to see the intimate, interior consequences of all that had happened.
Terry Kitchen asked me one time why, since I had so few gifts as a husband and father, I had gotten married. And I heard myself say: "That's the way the post-war movie goes.
The generation which lived through the Second World War is disappearing. Post-war generations see Europe's great achievements - liberty, peace and prosperity - as a given.
Ultimately, Boris Johnson and the political and financial support behind his Brexit project are probably the biggest threat to both British democracy and the post-war welfare state settlement we've faced in the post-war period.
I think we are aware that post-racialism isn't real, right? I mean, I hope so. I kind of joke that we're post-post-racial.
Do I post pictures of my overflowing laundry basket or the dirty dishes by the sink? No, I'll probably post a pic of the finished meal looking pretty. We're all skewed in what we show.
In one sense, I have always felt glad to have had the war [World War II] in my childhood, because, as a result, nothing that has happened in the world since then has ever seemed quite so bad. On the other hand, I never entirely got over my feeling of being cheated when the promised era of peace in a wonderful "post-war world" failed to materialize. I could not understand how, after all that, people could ever even think of fighting again. And I still can't.
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